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  1. Music (Music Score--substantially original) - Alex North Best Picture - Walter Wanger, Producer Sound - 20th Century-Fox Studio Sound Department, James P. Corcoran, Sound Director; and Todd-AO Sound Department, Fred Hynes, Sound Director

  2. The 36th Academy Awards, honoring the best in film for 1963, were held on April 13, 1964, hosted by Jack Lemmon at the Santa Monica Civic Auditorium in Santa Monica, California. This ceremony introduced the category for Best Sound Effects, with It's a Mad, Mad, Mad, Mad World being the first film to win the award.

  3. Feb 5, 2014 · MUSIC (Scoring of Musicadaptation or treatment) A Hard Day’s Night – George Martin. Mary Poppins – Irwin Kostal. My Fair Lady – Andre Previn. Robin and the 7 Hoods – Nelson Riddle. The Unsinkable Molly Brown – Robert Armbruster, Leo Arnaud, Jack Elliott, Jack Hayes, Calvin Jackson, Leo Shuken.

  4. The 36th Academy Awards Memorable Moments. Best Picture: Tom Jones. Tom Jones also won Academy Awards for Directing (Tony Richardson), Music – Music Score, substantially original (John Addison), and Writing – Screenplay based on material from another medium (John Osborne).

  5. Jack Lemmon hosted the 36th Academy Awards, which took place on Monday, April 13th, 1964 at the Santa Monica Civic Auditorium. Tom Jones won four out of its ten nominations including Best Picture and Best Director for Tony Richardson. Cleopatra also won four Oscars® in the technical fields.

  6. Disney’s Double Win: The Sword in the Stone gave Disney its sixth Best Animated Feature win, while Mary Poppins took home Best Original Song for “Chim Chim Cher-ee.” Trivia. Beatles Connection: Despite the British Invasion in the music scene, led by the Beatles, the Oscars that year were more traditionally American in their award selections.

  7. Sep 9, 2022 · Musical Score, Substantially Original: Frank DeVol, Hush…Hush, Sweet Charlotte: Henry Mancini, The Pink Panther: Laurence Rosenthal, Becket: Richard M. Sherman and Robert B. Sherman, Mary Poppins: Dimitri Tiomkin, The Fall of the Roman Empire: Scoring of Music, Adaptation or Treatment

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