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  1. May 4, 1973 · Steambath: Directed by Burt Brinckerhoff. With Stephen Elliott, Bill Bixby, Herb Edelman, Neil J. Schwartz. Random people find themselves in a steam room, quickly realize that it's a gateway to the afterlife and that the eccentric Puerto Rican janitor is actually God.

    • (464)
    • Drama, Fantasy
    • Burt Brinckerhoff
    • 1973-05-04
  2. Aug 14, 2014 · Valerie Perrine, Steambath (1973) “Before cable, only PBS could violate traditional censorship lines, since they weren't beholden to sponsors. Perrine's towel-drop in this play's adaptation ...

  3. Steambath (TV Movie 1973) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more.

  4. Jan 30, 2023 · After spending some time there, it becomes clear that the steambath is a sort of Afterlife, where indifferent souls come to tell their stories to God who happens to be the attendant picking up the towels. Director: Burt Brinckerhoff. Writer: Bruce Jay Friedman.. Stars: Stephen Elliott, Bill Bixby, Kenneth Mars, José Pérez, Valerie Perrine ...

  5. Steambath (play) Steambath. (play) Steambath is the second play by American author Bruce Jay Friedman. It was first performed Off-Broadway at the Truck and Warehouse Theater where it opened on June 30, 1970, closing on October 18, 1970, after 128 performances. This play presents the afterlife as a steam bath, in which recently deceased souls ...

  6. www.marquee.tv › videos › steambathSteambath - MarqueeTV

    Share. Theater. 87 Mins 15, PG-13. 1973. Novelist Bruce Jay Friedman's razor-sharp and still outrageous comedy portrays God as an overworked steambath attendant who doles out "wrath" and "blessed events" in between assignments of scrubbing floors and walls. Bill Bixby (Courtship of Eddie’s Father) and Valerie Perrine (Lenny) star, along with ...

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  8. Valerie Perrine is adorable as the half- (and sometimes totally) naked young woman who takes her arrival in the heavenly halfway house of the steambath with remarkable equanimity. Bruce Jay Friedman's play is trenchant without being extraordinarily wise, and it lingers in memory more for its feeling than its theme.

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