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Oct 15, 1990 · Francouzská herečka Delphine Seyrig, celým jménem Delphine Claire Beltiane Seyrig, se narodila v Bejrútu v Libanonu, kde její otec, významný vědec Henri Seyrig (1895-1973), tehdy prováděl archeologické výzkumy, matka Hermine de Saussure (1901-1984) pocházela z rodiny astronoma Léopolda de Saussure. Seyrig v té době v Libanonu ...
Oct 15, 1990 · Born Delphine Claire Belriane Seyrig in Beirut, Lebanon, to a French Archeologist and his wife. She studied acting at the Comedie de Saint-Etienne and at the Centre Dramatique de l”Est. In 1958, she appeared in her first film, “Pull my Daisy” (1958), filmed in New York City.
Delphine Seyrig (1932–1990) contributed her profound intelligence, professional expertise, and sublime beauty to some of the most memorable films of the twentieth century. One can argue that her pitch-perfect performances were fundamental to the enduring success of François Truffaut’s Stolen Kisses, Marguerite Duras’s India Song, Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce ...
Delphine Claire Beltiane Seyrig (10. huhtikuuta 1932 Beirut, Syyrian ja Libanonin mandaatti – 15. lokakuuta 1990 Pariisi, Ranska) oli ranskalainen näyttelijä. Hänellä on päärooli Chantal Akermanin ohjaamassa elokuvassa Jeanne Dielman (1975), jonka Sight & Sound -lehti valitsi vuonna 2022 maailman parhaaksi elokuvaksi.
Sep 1, 1990 · Original soundtrack for a video film by Wonder Product, shot in India (Benares & Calcutta), and based on a text by writer Carole Naggar (entitled "Cité du Sang"), recited by the late and sublime actress Delphine Seyrig (of Marguerite Duras fame), with dreamy music by Tuxedomoon members Steven Brown & Blaine L. Reininger.
Delphine Seyrig in " The Next time I shall sing him to you " of Harold Pinter. Paris, theatre Antoine, in September 1966. LIP-012-083-077.
Delphine Seyrig. Actor. Director. Narrator. “We live in a so-called heterosexual society which is really male heterosexual. Power, press, media, industry all stress male achievements. Heterosexuality was a mask. In the commercial cinema, this heterosexuality appears basically anti-feminine: you see more male faces on the posters than before.
