Admiral James T. Kirk
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Jun 1, 1984 · Star Trek III: The Search for Spock: Directed by Leonard Nimoy. With William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan. Admiral Kirk and his bridge crew risk their careers stealing the decommissioned U.S.S. Enterprise to return to the restricted Genesis Planet to recover Spock's body.
Star Trek III: The Search for Spock is a 1984 American science fiction film, written and produced by Harve Bennett, directed by Leonard Nimoy, and based on the television series Star Trek.
Admiral James T. Kirk's defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane. An unexpected visit from Sarek, Spock's father, provides a startling revelation: McCoy is harboring Spock's living essence.
Adm. James T. Kirk (William Shatner) has defeated his archenemy but at great cost. His friend Spock has apparently been killed, the USS Enterprise is being scrapped, and starship physician Dr ...
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David Marcus (Merritt Butrick)-Kirk's son, a key scientist in Genesis's development-and Lieutenant Saavik (Robin Curtis) are investigating the Genesis planet on board the science vessel Grissom. Discovering an unexpected life form on the surface, Marcus and Saavik transport to the planet.
Jun 1, 2019 · The Leonard Nimoy directed Star Trek III: The Search for Spock opened in theaters on June 1, 1984 — 35 years ago today. It is illogical to waste time letting this milestone make you feel old, as time marches on, after all (or, in Discovery's case, leaps).
Play Trailer. A dying planet. A fight for life. The search for Spock. Overview. A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence. Leonard Nimoy. Director. Harve Bennett. Writer. Written by CinemaSerf on June 8, 2023.
Spock, who died saving the Enterprise in Star Trek II, is found alive on the Genesis planet where his body was laid to rest.
Kruge learns about Genesis. Somewhere off in space, a freighter with a female Klingon, Valkris, awaits somebody. That somebody is her lover, the warrior Kruge, who suddenly decloaks in a Klingon Bird-of-Prey. Once there, she transmits data to the Bird-of-Prey, which from brief flashes can be ascertained to relate to Project Genesis.
The second movie, the best one so far, remembered what made the Star Trek TV series so special: not its special effects, not its space opera gimmicks, but its use of science fiction as a platform for programs about human nature and the limitations of intelligence.
