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  1. 2 days ago · Read our review of Complicité's memory play Mnemonic, now in performances at the National Theatre to 10 August. Matt Wolf 4 July, 2024, 12:00 Plays don’t come headier or more challenging than Complicité’s brain-teasing Mnemonic , which, in keeping with the title, I remember fondly from its first airing at the National Theatre 23 years ago, following a world premiere just prior to the ...

  2. 2 days ago · Mnemonic was first staged 25 years ago and some of the original cast members return here (including Simon McBurney who now directs), their own memories of the show intersecting with this revival, adding to the heavy sense of profundity in the air. As the company probe into all the potential and potholes that come with the act of remembrance ...

  3. 3 days ago · Mnemonic isn’t Complicité’s most visually dazzling, or visceral production, but it is constantly inventive, making panoramic use of the wide Olivier stage, and at times quite ravishing: simple props – a bed, screens, the ubiquitous chair being employed to shift between bedrooms and morgues, lecture halls and hotel rooms, between decades and countries, while video projections evoke ...

  4. 3 days ago · The Reviews Hub: **** “Mnemonic is perhaps a little longer than it needs to be but is a technically complex play to deliver. The ensemble led by Abdalla, Eileen Walsh and Tim McMullan as Otis, Alice and the lead scientist are in complete harmony with the material throughout while playing taxi drivers and chambermaids, fractious academics and train companions.

  5. 3 days ago · Runs until10 August 2024. The Reviews Hub Score. Christopher Shutt Complicite Eileen Walsh Khalid Abdalla London Michael Levine Mnemonic National Theatre Play Review Simon McBurney Theatre Tim ...

  6. 3 days ago · Many aficionados still speak, in hushed tones, of the original 1999 production of Mnemonic, from Simon McBurney and his ever-intriguing Complicité company, as being one of the most influential ...

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  8. 3 days ago · The 110-minute play, presented without interval, has a vast, continental sweep that makes it an enthralling proposition for the audience. It’s aided no end by Michael Levine’s versatile set, Paul Anderson’s lighting and Christopher Shutt’s sound. There’s also subtle, but poised, video work from Roland Horvarth.

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