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22 hours ago · The tone is cheeky; the soundtrack flips between Vivaldi and New Order. On one level, “The Decameron” resembles a more acerbic version of twisted-history comedies like “Dickinson” and ...
1 day ago · With Orange Is the New Black, Kohan reshaped a middle-class white writer’s prison memoir into a dark yet vibrant ensemble dramedy of carceral injustice starring the Black and brown women ...
4 days ago · NPR Movies podcast, movie reviews, and commentary on new and classic films. Interviews with filmmakers, actors, and actresses.
4 days ago · Set at a conference for “thought leaders,” “The Way We Speak” is an ambitious drama that puts its cameras on a handful of characters wading into an arena of intellectual combat while dealing with personal challenges that threaten to unravel them. The performances are uniformly excellent.
4 days ago · In Movie Reviews. Netflix’s new animated film, “The Imaginary,” brings a fresh and creative story to the screen. Directed by Yoshiyuki Momose, known for his work on “Spirited Away,” the film tells the tale of Amanda and her imaginary friend, Rudger.
5 days ago · Read our Twisters (2024) movie review. Discover why Lee Isaac Chung’s sequel to the 1996 classic, starring Daisy Edgar-Jones and Glen Powell, is a must-watch disaster film.
2 days ago · A world away from the Bibilical oratorio: Stanford's Walt Whitman setting is the focus for this disc from Wales of two of his large-scale choral works Labels: cd review Charles Villiers Stanford: Te Deum, Elegiac Ode ; Rhian Lois, Samantha Price, Alessandro Fisher, Morgan Pearse, BBC National Orchestra & Chorus of Wales, Adrian Partington; LYRITA
