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4 days ago · This is all happening in March of 2020 when the world is shutting down in the early days of the COVID-19 pandemic, and his daughter makes increasingly worried and frustrated phone calls, but Kristófer does not have time to wait.
- Fly Me to the Moon movie review (2024) | Roger Ebert
Snappy banter is crucial to this kind of screwball romantic...
- Family Portrait movie review & film summary (2024) | Roger Ebert
A storm on the horizon. A pathogen traveling through the...
- Fly Me to the Moon movie review (2024) | Roger Ebert
5 days ago · Snappy banter is crucial to this kind of screwball romantic comedy. “Fly Me to the Moon” aims for the kind of sparks we’ve enjoyed in all those Rock Hudsonand Doris Day classics. Here, it often feels like Johansson and Tatum are in entirely different movies. She’s effervescent and fearless; he’s stoic and apprehensive.
4 days ago · A storm on the horizon. A pathogen traveling through the air. The sound of wind rustling the grass and leaves is almost a character in “Family Portrait,” adding to a rising tension in this unique, confidently made film that very purposefully plays more like a dream than realism.
1 day ago · Roger Ebert’s video game take is still haunting the discourse. It’s 2024. Roger Ebert of the Chicago Sun-Times died more than a decade ago. And yet, as of three months ago, people were still ...
5 days ago · Ebert believes that The Third Man contains “the most dramatic entrance in the history of the cinema,” courtesy of Welles, which is “done to the music of a single zither.”. His entrance is a shocking moment because, until that point, he is presumed dead. Yet, “when the cat rubs against a shoe in a doorway,” a dramatic light shines on ...
3 days ago · It was directed by Roger Christian and stars John Travolta, Barry Pepper, and Forest Whitaker. The film follows a rebellion against the alien Psychlos, who have ruled Earth for 1,000 years. Travolta, a Scientologist, began adapting Battlefield Earth in the mid-1990s.
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5 days ago · As movie roles dried up in the 80s and 90s, Duvall would pivot to producing children’s shows for cable television, which garnered her two Primetime Emmy nominations and a Peabody Award. Then, sometime in the early 2000s, Duvall left Hollywood and took refuge in the Texas Hill Country — which to Tinseltown is “off the face of the planet” — and never looked back.
