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  1. www.imdb.com › name › nm0257373Kurt Engfehr - IMDb

    Kurt Engfehr. Editor: Bowling for Columbine. Kurt Engfehr grew up next to an EPA Superfund waste site in a working class suburb of Detroit. He decided against a career in the plants when a friend had his finger ripped off by a band saw. Kurt saw the future, and it wasn't in Detroit.

    • Editor, Producer, Editorial Department
    • 2 min
  2. Kurt's best known as editor & co-producer on the Michael Moore films, Cannes Palme d'Or winning FAHRENHEIT 9/11 and Oscar-winning BOWLING FOR COLUMBINE, for which he won the...

    • 500+
    • 646
    • WibblyWobbly Productions LLC
    • New York City Metropolitan Area
  3. Kurt Engfehr believes his entire career in filmmaking is an accident. A happy accident, perhaps, but an accident nonetheless. After graduating from Trenton High School in 1980, Engfehr didn’t know what he wanted to do, so he spent the next three years working as a waiter and for a mortuary service.

  4. www.nfb.ca › directors › kurt-engfehrKurt Engfehr - NFB

    Films directed by Kurt Engfehr Available for online viewing on NFB.ca. The NFB is committed to respecting your privacy We use cookies to ensure that our site works efficiently, as well as for advertising purposes.

  5. Sep 1, 2014 · Fat, Sick & Nearly Dead: Directed by Joe Cross, Kurt Engfehr. With Joe Cross, Amy Badberg, Merv Cross, Virginia Cross. Fat, Sick, and Nearly Dead is an American documentary that chronicles Australian Joe Cross's 60-day journey across the United States, where he embarks on a juice-only fast in a quest to reclaim his health.

    • (8.9K)
    • Documentary
    • Joe Cross, Kurt Engfehr
    • 2014-09-01
  6. Kurt Engfehr grew up next to an EPA Superfund waste site in a working class suburb of Detroit. After living and failing all over the country, he settled in New York City where he worked for various tv networks such as MSNBC and HBO before becoming senior editor on Michael Moore's Emmy nominated show, The Awful Truth .

  7. Feb 7, 2012 · That structural awkwardness aside, longtime docu editor Kurt Engfehr does a fine job shaping the pic’s narrative flow in both informative and human terms.

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