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Darrin Navarro. Editor: The Lovers. Darrin Navarro, ACE, attended three semesters of film classes at Los Angeles City College before a professor connected him in 1987 to an unpaid assistant editor position on an ultra-low budget horror film, The Bloody Monks (1989), at Roger Corman's New Horizon studios.
- Editor, Editorial Department, Actor
- 2 min
Editor: The Lovers. Darrin Navarro, ACE, attended three semesters of film classes at Los Angeles City College before a professor connected him in 1987 to an unpaid assistant editor position on an ultra-low budget horror film, The Bloody Monks (1989), at Roger Corman's New Horizon studios.
Jul 1, 2012 · Darrin Navarro came to editing via a familiar path: An interest in movies led him to film classes at Los Angeles City College. Within a week or two of seeing what could be done by manipulating the choice of moving images, he knew this was the job for him.
Jan 22, 2022 · Editor Darrin Navarro discusses striking that balance and how altering the structure of the film gave the audience a way into the narrative. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and. attributes that led to your being hired for this job?
Sep 3, 2023 · This afternoon, collaborators on the Showtime/Paramount Global film including producer Annabelle Dunne and editor Darrin Navarro, offered insight into Friedkin’s style of working and what it was...
- Nancy Tartaglione
Dec 28, 2023 · Today we speak with the great editor Darrin Navarro (the recent, incredible The Caine Mutiny Court-Martial) about the lauded editor Sam O’Steen, who worked on such masterpieces as The Graduate, Rosemary’s Baby, and Chinatown.
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Oct 2, 2023 · In “The Caine Mutiny Court-Martial,” Friedkin holds you rapt with the nimbleness of his camera placement (the sharp cinematography is by Michael Grady), the crispness of Darrin Navarro’s editing...
