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      • The first film to win in the Oscar in the Best Cinematography Color category was 1939's Gone with the Wind, shot by Ernest Haller and Ray Rennahan. The categories were combined in 1967 (though no black-and-white cinematography Oscar was awarded in 1957).
      www.liveabout.com/academy-award-for-best-cinematography-4773947
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  2. * Art Direction (Black-and-White) - Art Direction: Cedric Gibbons, Malcolm F. Brown; Set Decoration: Edwin B. Willis, F. Keogh Gleason * Cinematography (Black-and-White) - Joseph Ruttenberg

  3. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography. No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame ...

  4. The 29th Academy Awards were held on March 27, 1957, to honor the films of 1956. In this year, Best International Feature Film became a competitive category, having been given as a Special Achievement Award since 1947.

  5. Two decades later, the mystery was officially solved and the Academy statuette went (on May 2, 1975, presented by then Academy president Walter Mirisch) to its rightful owner, screenwriter Dalton Trumbo, blacklisted in 1956 by the industry for political affiliations.

  6. Apr 19, 2024 · From 1929 to 1967, there were separate awards for color and black-and-white cinematography. Floyd Crosby won the award for Tabu in 1931, the last silent film to win in this category. Hal Mohr won the only write-in Academy Award in 1935 for Cleopatra .

  7. Nov 29, 2019 · Since 1967, only two films released in black-and-white have won the Oscar for Best Cinematography: Schindler's List (1993) and Roma (2018), though other black-and-white films have been nominated. These nominees include Raging Bull (1980), Zelig (1983), The Artist (2011), and Nebraska (2013).

  8. Art Direction (Black-and-White) - Art Direction: Edward S. Haworth, Walter Simonds; Set Decoration: Robert Priestley Cinematography (Black-and-White) - Joseph LaShelle

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