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Aug 23, 2016 · I dedicate this essay to Theo Angelopoulos' wife Phoebe Economopoulou and their daughters, Anna, Eleni and Katerina. Abstract. I am honored to be here at the University of Sydney for this, the 11th Biennial Conference of the Modern Greek Studies Association of Australia and New Zealand.
I also spoke with Phoebe Economopoulou, Theo’s wife, and producer of many of his films, and got to meet with his three daughters who have been working on the film.
One of the recurring themes of his work is immigration, the flight from homeland and the return, as well as the history of 20th century Greece. Angelopoulos was considered by British film critics Derek Malcolm [3] and David Thomson [4] as one of the world's greatest directors.
Oct 14, 2022 · The Archive is honored to present this major career retrospective that includes all of Angelopoulos’ feature films and a selection of shorts. Special thanks to Phoebe Angelopoulos Economopoulou, Katerina Angelopoulou, and the Harvard Film Archive. Funding for this program has been provided by.
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Jul 24, 2016 · Special thanks to Katerina Angelopoulou, Phoebe Economopoulou-Angelopoulou, James DeMetro, and Haden Guest and David Pendleton (Harvard Film Archive). Program descriptions and series overview written by A.S. Hamrah, film critic for N+1.
Dec 2, 2022 · December 2, 2022 - 7:30 pm. Billy Wilder Theater. In-person: Q&A with Phoebe Economopoulou Angelopoulou, widow of Theo Angelopoulos and executive producer. The Broadcast. Ekpompi, Greece, 1968. In the manner of Jean Rouch’s Chronique d'un été (1961), the producers of a pop music television show hit the streets to ask women what makes the ideal man.
