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  1. Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director and screenwriter.

  2. Keisuke Kinoshita was a Japanese writer and director who made films such as Twenty-Four Eyes, The Ballad of Narayama and The Garden of Women. He was born in 1912 and died in 1998, and directed Japan's first color film in 1951.

    • January 1, 1
    • Hamamatsu, Shizuoka, Japan
    • January 1, 1
    • Tokyo, Japan
  3. May 17, 2018 · Keisuke Kinoshita. One of Japan's most popular filmmakers after World War II, Keisuke Kinoshita (1912-1998) was a prolific director, writer, and producer, specializing in sentimental dramas and comedies and the use of innovative, expressionistic sets.

  4. Aug 18, 2008 · One of the most awarded films in Japanese history, Twenty-Four Eyes was already a nostalgia piece when Keisuke Kinoshita directed it in 1954.

    • The Ballad of Narayama (1958) “The Ballad of Narayama” is a deeply moving narrative set in a secluded mountain hamlet where the stark truths of existence birth a solemn custom.
    • Twenty-Four Eyes (1954) “Twenty-Four Eyes” chronicles the transformative path of Hisako Oishi, an enthusiastic and forward-thinking teacher stationed in a secluded island community.
    • A Legend, or Was It? (1963) Set during the end of World War II, “A Legend, or Was It?” reveals the distressing journey of a mother and her three children as they desperately attempt to find sanctuary, moving from Okinawa to the colder realms of Hokkaido.
    • She Was Like a Wild Chrysanthemum (1955) In “She Was Like a Wild Chrysanthemum,” the audience becomes immersed in the deeply emotional journey of Masao, an elderly man who fondly and vividly remembers his time as a young man in love with his cousin, Tamiko.
  5. Kinoshita Keisuke (born Dec. 5, 1912, Hamamatsu, Shizuoka prefecture, Japan—died Dec. 30, 1998, Tokyo) was one of Japans most popular motion-picture directors, known for satirical social comedies.

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  7. Nov 7, 2012 · By casting the spotlight on the experiences of ordinary people as extraordinary accounts of Japanese life and society, Keisuke Kinoshita's films bring a universal appeal and emotional subtlety to stories of social, political, and economic upheaval.