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Hisayasu Satō (佐藤 寿保, Satō Hisayasu, born 15 August 1959 in Shizuoka City, Japan) is a Japanese exploitation film director. He has worked prolifically in the genre of pinku eiga films, which refers to Japanese films that prominently feature nudity or sexual content.
Hisayasu Sato is a Japanese director known best for his work in the pink film industry from the mid-80s to the mid-90s. His best known works are the pink film Unfaithful Wife: Shameful Torture (1992) (1992), and the V-Cinema splatter film Splatter: Naked Blood (1996) (1996).
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism.
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism.
Dec 22, 2010 · Hisayasu Satô is best known as one of the ‘Four Devils’ of pinku eiga, one of the four directors who rocked the Japanese soft porn industry in the 1990s with their extreme erotic films such as The Bedroom (Uwakizuma: Chijokuzeme, 1992), Love – Zero = Infinity (Iyarashii hitozuma: Nureru, 1994) and Naked Blood (Nekeddo burâddo: Megyaku ...
SATO Hisayasu (1959, Japan) made his first 8mm film at secondary school and in 1982 became an assistant director for Shishi Productions, where he worked with Kan Mukai, Kaor Umezawa and Yojro Takita. In 1985 he made his first film of his own, Charge! Lolita Poaching (1985).
Hisayasu Satō, sometimes misread as Toshiyasu Satō, is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. His best known works are the pink film The Bedroom (1992), and the V-Cinema splatter film Splatter: Naked Blood (1996).
