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  1. Richard Hobert. Director: Love Proof. Hobert was born in Kalmar, Sweden Dec 1, 1951. He studied political science, languages and film and theatre at the Lund University from 1970 to 1973. He debuted as a radio playwright in 1974. Hobert worked as a writer and assistant director up to his debut as a director in 1978.

    • January 1, 1
    • 1.93 m
    • Kalmar, Kalmar län, Sweden
  2. Richard Hobert (born 1 December 1951, in Kalmar) is a Swedish scriptwriter and film director. [1] Career. Hobert studied political science, languages and film and theatre at the Lund University from 1970 to 1973. He debuted as a radio playwright in 1974. Hobert worked as a writer and assistant director up to his debut as a director in 1978.

  3. Jan Richard Hobert, född 1 december 1951 i Kalmar, Kalmar län, är en svensk manusförfattare, kompositör och filmregissör. Han är bland annat känd för långfilmssviten De sju dödssynderna samt den Guldbaggen-belönade En enkel till Antibes.

  4. Oct 14, 2022 · Love Proof: Directed by Richard Hobert. With Rolf Lassgård, Livia Millhagen, Hedda Rehnberg, Fredrik Gunnarsson. Thomas and Marie are getting divorced and must meet one last weekend to empty and sell their summer house.

    • (171)
    • Drama, Thriller
    • Richard Hobert
    • 2022-10-14
  5. Richard Hobert, writer and director, has been awarded the Ingmar Bergman Prize for his work. His previous work include internationally acclaimed films such as Spring of Joy (1993), Run for Your Life (1997), The Eye (1998), Everyone Loves Alice (2002) and Harry's Daughters (2005).

  6. Apr 5, 2019 · The Birdcatcher's Son: Directed by Richard Hobert. With Rudi Køhnke, Vígdis Eliesersdóttir Hentze Bjørck, Livia Millhagen, Sébastien Courivaud. It's the late 1800s and the birdcatcher Esmar and his wife Johanna are trying to survive on the harsh dramatic cliffs of the Faroe Islands.

  7. Slightly more interesting than the film itself is the way that Richard Hobert's standard road-trip comedy-drama, A One-Way to Antibes, portrays family. Where the cinematic status quo has long...