![[Cannes Review] The Dancer](https://ca.images.search.yahoo.com/search/images?p=The+Dancer&ei=UTF-8&first=1&age=1w&th=119.5&tw=89.6&imgurl=https%3A%2F%2Fthefilmstage.com%2Fwp-content%2Fuploads%2F2016%2F05%2FThe-Dancer-poster.jpeg&rurl=https%3A%2F%2Fthefilmstage.com%2Freviews%2Fcannes-review-the-dancer%2F&size=651KB&name=%5BCannes+Review%5D+The+Dancer&oid=1&h=3780&w=2835&turl=https%3A%2F%2Ftse1.mm.bing.net%2Fth%3Fid%3DOIP.yn2Nd8AN5k8s8FeuFw_dPwHaJ4%26pid%3DApi%26rs%3D1%26c%3D1%26qlt%3D95%26w%3D89%26h%3D119&tt=%5BCannes+Review%5D+The+Dancer&sigr=r7ISQkfl9HGj&sigit=P0xLdRL2bfAC&sigi=mr3pduf4J3Lr&sign=eYgIPJ54kSbb&sigt=eYgIPJ54kSbb "[Cannes Review] The Dancer")
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Dec 1, 2017 · When the talented teenage dancer Isadora Duncan (Lilly_Rose Depp) joins the troupe, the stress of dancing on Loíe's body, her penchant to overspend, and her emerging sexual ambivalence, all begin to take their toll.
- (2.8K)
- Biography, Drama, History
- Stéphanie Di Giusto
- 2017-12-01
Where is The Dancer streaming? Find out where to watch online amongst 45+ services including Netflix, Hulu, Prime Video.
- Stéphanie Di Giusto
- PG-13
- 16
The Dancer (French: La Danseuse) is a 2016 biographical historical drama film about dancer Loie Fuller, directed by Stéphanie Di Giusto from a screenplay she co-wrote with Sarah Thiebaud and Thomas Bidegain, based on the novel Loïe Fuller: Danseuse de la Belle Époque by Giovanni Lista.
Dec 1, 2017 · The film follows the life and career of Loie Fuller, a Chicago-born dancer who invented the Serpentine Dance and influenced Isadora Duncan. It stars Soko as Fuller and Gaspard Ulliel as her patron, and features Lily-Rose Depp as her rival Isadora Duncan.
Dec 1, 2017 · In 1887, after the death of her father, 25-year-old Marie-Louise leaves her life in the American West to join her mother in New York and pursue her dream of becoming an actress. On stage one night...
- (29)
- Soko
- Stéphanie Di Giusto
- Biography, Drama
May 13, 2016 · Cannes Film Review: ‘The Dancer’. Ground-breaking dance innovator Loïe Fuller gets a near-complete fictional overhaul in this unnecessary, formulaic biopic. By Jay Weissberg.
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Marie-Louise has become Loïe Fuller. She embarks on a new, hectic life, leaving New York, where imitators try to steal her radical innovations, for Paris. At the Folies Bergères, she dazzles the capital, and illustrious admirers fall at her feet.
