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Nicolaas Thomas Bernhard (German: [ˈtoːmas ˈbɛʁnhaʁt]; 9 February 1931 – 12 February 1989) was an Austrian novelist, playwright, poet and polemicist who is considered one of the most important German-language authors of the postwar era. He explored themes of death, isolation, obsession and illness in controversial literature that was ...
Apr 17, 2013 · During the 58 years of his life, the Austrian writer Thomas Bernhard (1931–1989) composed more than 60 works of fiction, theater, poetry, and nonfiction, including at least 29 books currently...
The President (German: Der Präsident) is a play by Austrian playwright and novelist Thomas Bernhard, first performed in 1975. Thomas Bernhard in 1970 Plot
Thomas Bernhard was an Austrian writer who ranks among the most distinguished German-speaking writers of the second half of the 20th century. Although internationally he's most acclaimed because of his novels, he was also a prolific playwright.
Nicolaas Thomas Bernhard (* 9. Februar 1931 in Heerlen, Niederlande; † 12. Februar 1989 in Gmunden, Oberösterreich) war ein österreichischer Schriftsteller. 1970 erhielt er den Georg-Büchner-Preis; seit den 1980er-Jahren wird er international zu den bedeutendsten österreichischen und deutschsprachigen Autoren gerechnet.
Thomas Bernhard was an Austrian writer who explored death, social injustice, and human misery in controversial literature that was deeply pessimistic about modern civilization in general and Austrian culture in particular.
Jun 24, 2016 · One of Thomas Bernhard’s earliest published works was a novel called Gargoyles, which came out in 1967. For its first 80 pages, Gargoyles is a more-or-less conventionally realistic book, if...
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Heldenplatz (English: Heroes' Square) is a 1988 stage drama by Austrian playwright Thomas Bernhard. The final play written by Bernhard, it premiered on November 4, 1988, and sparked one of the biggest theater scandals in the history of post-war Austria.
Thomas Bernhard. in English: works, essays, reviews. about this site. Complete story "Two Tutors" from Prosa. "What matters is whether we want to lie or to tell the truth and write the truth, even though it never can be the truth and never is the truth." Gathering Evidence p. 161.
