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Delay 1968 is a compilation album by the German experimental rock band Can released in 1981. It comprises previously unreleased work recorded for Can's rejected debut album, Prepared to Meet Thy Pnoom, recorded with the singer Malcolm Mooney.
- Halleluhwah. from Tago Mago, 1971. As well as influence from experimental acts like Frank Zappa and the Velvet Underground, Irmin Schmidt was also intrigued by funk acts like James Brown. ‘
- Mother Sky. from Soundtracks, 1970. Damo Suzuki’s first recordings with Can were captured on Soundtracks, a compilation of the band’s contributions to art-house films.
- Future Days. from Future Days, 1973. The title track of Suzuki’s last album with Can finds him gently ruminating: “Send that money for a rainy day/For the sake of future days.”
- The Thief. from Delay 1968, 1981. The recordings that made up Delay 1968 were intended as the band’s first album, titled Prepared to Meet Thy PNOOM. They remained unreleased until 1981.
CAN's music can be difficult to appreciate, yet their albums offer some of the best experimental rock ever recorded. Then there are always the myths, the legends and the fascination. Here's a synopsis of most of their albums. I can recommend "Delay" through to Soon over Babaluma.
The album featured vocalist Malcolm Mooney, with Holger Czukay on bass, Michael Karoli on guitar, Jaki Liebezeit on drums and saxophone, and Irmin Schmidt on the keyboard. Delay was one of two albums that involved singer Malcolm Mooney, before Damo Suzuki was recruited to be the lead singer of Can.
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Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). [8]
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Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
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