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The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel. The film stars Ellen Burstyn , Max von Sydow , Jason Miller , and Linda Blair , and follows the demonic possession of a young girl and her mother's attempt to rescue her through an exorcism by ...
Oct 17, 2023 · The vehement reaction to “The Exorcist” when it premiered in late 1973 helped create a special place for it in pop culture, as evidenced by the media frenzy at the time.
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- The Exorcist Proved Horror Could Be Massive Box Office Successes. Before The Exorcist, horror movies were mostly profitable due to their low budgets. However, The Exorcist proved that horror movies could be a massive box office success.
- William Friedkin Was A Risky Choice For The Exorcist That Paid Off. Before The Exorcist released, William Friedkin was seen as a risky choice. However, he was intentionally sought out by William Peter Blatty, with Blatty believing that Friedkin's history in documentary filmmaking would help to ground the film.
- The Exorcist Broke Conventions By Making An Innocent Child The Main Horror Victim. Before The Exorcist, the victims in horror movies were often unsympathetic teenagers or scummy adults.
- The Exorcist Popularized The Exorcism Horror Subgenre. Although it's hard to believe, exorcism wasn't a super well-known practice to audiences before The Exorcist.
Aug 13, 2023 · That's what director William Friedkin was facing when he made "The Exorcist." Friedkin, who passed away earlier this week at 87, was at the helm of what remains arguably the most beloved and —...
Jun 20, 2024 · That real-life experience was one of the big inspirations for “The Exorcism,” a new movie Joshua directed and co-wrote with Fortin, in which Russell Crowe plays Anthony Miller, an actor ...
Director William Friedkin originally intended to cast Marlon Brando — fresh off of his role as Don Corleone in 1972’s The Godfather — in the role of Father Merrin, and also considered Jack Nicholson. In the end, he went with Max von Sydow.
Employing expert craftsmanship and groundbreaking special effects, director William Friedkin chronicled young Regan MacNeil’s terrifying transformation from an angel-faced tween into a projectile-vomiting, foul-mouthed monster in unflinching, explicit detail.
