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Sandro Botticelli is best known for his masterpieces The Birth of Venus and Primavera, but during his prolific career, Botticelli also painted several portraits of contemporary Renaissance Florentines — including Portrait of a Young Woman, currently held in Florence’s Pitti Palace.
- Plautilla Nelli (1524–1588) Plautilla Nelli was a nun of the Dominican order at the convent of St. Catherine of Siena in Florence—and is considered by many scholars to be the first-known woman artist of Renaissance Italy.
- Catharina van Hemessen (1528–after 1565) Northern Renaissance painter Catharina van Hemessen was the daughter of prominent Mannerist painter Jan Sanders van Hemessen, and is the earliest Flemish woman painter with verified work that still exists today.
- Sofonisba Anguissola (ca. 1532–1625) Sofonisba Anguissola was one of the most successful women artists of the Renaissance, with a reputation that rose to international acclaim in her lifetime.
- Lavinia Fontana (1552–1614) Trained by her artist father Prospero Fontana, a teacher at the School of Bologna, Lavinia Fontana is considered the first professional woman artist insofar as she supported herself and her family solely on the income from her commissions.
- Levina Teerlinc (1510 – 1576) Flemish. Belgium and England. Renaissance. Portrait of Lady Katherine Grey (c.
- Plautilla Nelli (1524 – 1588) Italian. Florence. Renaissance. The Last Supper (c.
- Catharina van Hemessen (1528 – 1588) Flemish. Belgium and Spain. Renaissance. Self-Portrait (1548)
- Sofonisba Anguissola (1532 – 1625) Italian. Italy. Renaissance. Self-Portrait with Bernardino Campi (1550)
- Plautilla Nelli (1524-1588) Plautilla Nelli was an Italian Renaissance painter born in 1524 in Florence, Italy. Nelli was one of the few women artists of her time and is considered today to be the first known woman artist in Florence.
- Marietta Robusti (1550/60-1590) Get the latest articles delivered to your inbox. Sign up to our Free Weekly Newsletter. Marietta Robusti, also known as La Tintoretta, was a prominent Venetian painter of the 16th century.
- Sister Eufrasia Burlamacchi (1482-1548) Sister Eufrasia Burlamacchi was a manuscript artist and scribe born in 1482 in Lucca. Burlamacchi joined the San Nicolao convent at a young age but left to found the convent of San Domenico with her sister and ten other nuns, where she would later serve as Mother Superior.
- Properzia de’ Rossi (1490-1530) Properzia de’ Rossi was an Italian sculptor from Bologna who lived from around 1490 to 1530. Unlike many women artists of the time, de’ Rossi was not the daughter of an artist, and her craft was self-taught.
- Ideal representatives of masculinity and femininity. In a pair of portraits painted by the Venetian artist Titian, the Duke and Duchess of Urbino are presented as ideal representatives of their sexes.
- The feminine ideal. Have you seen that [Virgin] Annunciation that is in the cathedral, at the altar of Sant’ Ansano, next to the sacristy?… She seems to me to strike the most beautiful attitude, the most reverent and modest imaginable.
- The four humors. Women’s subordinate role in renaissance culture was also tied to medical understanding of the human body inherited from ancient Greek and Roman traditions.
- The masculine ideal. Fortune is a woman and if you wish to keep her under it is necessary to beat and ill use her; and it is seen she allows herself to be mastered by the adventurous rather than by those who go to work more coldly.
Jan 2, 2021 · At the Uffizi Galleries, visitors can have their fill of works by Renaissance masters Leonardo da Vinci, Michelangelo and Raphael. Of course, none of these artists are women.
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Nov 20, 2021 · There were three possible paths for the women of the Italian Renaissance: they could be either “nun, wife, or whore,” as described by the courtesan Nanna, the protagonist of Ragionamento from Aretino’s dialoghi puttaneschi (whore’s dialogues).
