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Kindle Edition. by Louise Simonson (Author) , Danny Fingeroth (Author) , James Owsley (Author) and 19 more. Peter Parker encounters an identical stranger on the rooftops of Manhattan. In his anger and confusion he gives chase to hunt this doppelganger down!
- Steve Ditko’s Webbing
- John Romita’s Webbing
- Pre-Todd Mcfarlane
- Michael Golden: The Portfolio
- Todd McFarlane’s Spaghetti Webbing
- Where Did That Name Come from?
- Thirty Three Years Later
- Fact Checking and Nit-Picking
This picture comes from the Library of Congress’ collection. They have the original art to “Amazing Fantasy” #15, which was Spider-Man’s first appearance. You can see in Ditko’s art that the webbing is very single-stranded. When the streams cross, they magically form some kind of webbing. Don’t think about it too hard. It’s a comic book meant to be...
By the time Todd McFarlane came around, it was John Romita’s Spider-Man that I think most people associated the character with. It was the drawing of the character on the paychecks and the Marvel letterhead. It’s the one that showed up most often on the Underoos and all the licensed apparel. So how did Romita draw the webbing? He drew it like Ditko...
Alex Saviuk preceded Todd McFarlane on “The Amazing Spider-Man.” You can read my review of issues #296 – #297, but his webbing does form an interesting bridge between Ditko and McFarlane. It definitely feels more coiled up here. It’s a series of circles around a core line. It’s not the flat web shooting out anymore. It’s not completely consistent. ...
In an interview his then-editor, Jim Salicrup, did with McFarlane in “Comics Interview” #81 in 1991, McFarlane said this about the origins of the webbing: McFarlane was speaking off the top of his head, a decade after seeing the portfolio. We can look back now with the gift of hindsight and Google to fill in the blanks and correct the minor details...
Here’s the first panel of “The Amazing Spider-Man” #298where McFarlane drew the webbing. Keep in mind that he didn’t ink this page. This is a really loose version of what McFarlane’s webbing would become. It looks like a core of several strands with a familiar set of squiggly lines hanging off it. But it feels more like an impression of McFarlane’s...
“Spaghetti Webbing” is a term coined by Tom De Falco. He was editor in chief at Marvel at the time McFarlane started on Spawn. He didn’t appreciate the changes McFarlane was making to Spider-Man’s costume and his whole cast of characters. McFarlane tells the story in his “The Art of Todd McFarlane” book: To go further, editor Jim Salicrup instructe...
I went over to Comixologyand opened up the previews of a few recent Spider-Man comics. I wanted to see if the spaghetti webbing was still going. I haven’t read the Spider-Man titles in a while, so I wasn’t sure. Here’s Chris Bachalo from “Non-Stop Spider-Man”: Here’s Sara Pichelli from “The Amazing Spider-Man”: They’re slight variations, but it’s s...
McFarlane’s recall is correct. He saw the webbing in a portfolio that Golden was a part of, though it wasn’t a Golden-specific portfolio. Marvel didn’t publish it, but they did license it. And Spider-Man was in that piece because the portfolio had a Team-Up theme. The greater shock is that McFarlane only kept that one page from the portfolio and di...
129-issue ongoing comic series published from April 1, 1985 to August 29, 2012 by Marvel Comics, launched as a replacement of Marvel Team-Up, a spin-off of the Amazing Spider-Man series which was later followed by Web of Scarlet Spider and then by Sensational Spider-Man (1996).
Walter Simonson (born September 2, 1946) is an American comic book writer and artist, best known for a run on Marvel Comics' Thor from 1983 to 1987, during which he created the character Beta Ray Bill.
Apr 21, 2015 · Web of Spider-Man (1985-1995) #1. Louise Simonson, Charles Vess (Cover Art), Greg LaRocque (Artist) 4.50. 185 ratings6 reviews. The final confrontation between Spider-Man and his new costume! Genres Comics Spider Man Marvel. 23 pages, Kindle Edition.
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- Kindle Edition
Simonson wrote the majority of the title's first forty issues, even coloring one issue (#18). Her other Marvel writing work included Starriors, Marvel Team-Up, Web of Spider-Man, and Red Sonja. Louise helped her husband Walt Simonson color his "Star Slammers" story in Marvel Graphic Novel #6 (1983).
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Walt Simonson: Walter Simonson was born in Tennessee, grew up in Maryland, and went to the Rhode Island School of Design in Providence. As an Illustration Major, he wrote, penciled, lettered, and inked a 50-page SF comic called the Star Slammers that became his degree project. After graduation, he took his Slammers portfolio to New York City to ...
