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Nashville's pop song structure became more pronounced, and it morphed into what was called Countrypolitan: a smoother sound typified through the use of lush string arrangements with a real orchestra and often background vocals provided by a choir. Countrypolitan was aimed straight at mainstream markets, and its music sold well through the later 1960s into the mid-1970s.
Nashville Sound / Countrypolitan. Countrypolitan -- an outgrowth of the Nashville sound of the '50s -- is among the most commercially-oriented genres of country music. The Nashville sound emerged in the '50s as a way to bring country music to a broad pop audience. The movement was led by Chet Atkins, who was the head of RCA Records' country ...
Countrypolitan -- an outgrowth of the Nashville sound of the '50s -- is among the most commercially-oriented genres of country music. The Nashville sound emerged in the '50s as a way to bring country music to a broad pop audience. The movement was led by Chet Atkins, who was the head of RCA Records' country division.
Cline’s legendary hits “Crazy”, “I Fall to Pieces” and “Walkin’ After Midnight” were produced by Bradley. He was inducted into the Country Music Hall of Fame in 1974 and remembered most for being an architect of the Nashville Sound in the early 60’s. Jim Reeves. Jim Reeves (1923-1964) was a singer songwriter of the early 1960 ...
In Nashville, in the late 1950s and early 1960s, studio producers on Music Row like Owen Bradley and Chet Atkins began experimenting with ways to reach a broader audience: adding a few sweet ...
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Apple Music Country. The urbane, pop-friendly Nashville Sound production style emerged in the mid-'50s, taking over from the raw, raucous honky-tonk that was at the head of the country-music table in the late '40s and early '50s and setting the stage for the countrypolitan takeover. By the late '60s, producers like Billy Sherrill were defining ...