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Mar 22, 2017 · Workaholic actress Anna Baskin (Maggie Siff), 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.
- (14)
- Maggie Siff
- Elisabeth Subrin
- Drama
The feature debut from award-winning short film director Elisabeth Subrin is a rewarding, if occasionally solipsistic, study of a complex, mature woman at a crossroads in her life. Full Review ...
Mar 22, 2017 · 1 h 37 m. Summary Burnt-out on her career, Anna Baskin (Maggie Siff), a successful television actress on a hit network show in Los Angeles, abruptly walks off her set and returns to New York, attempting to reconnect with her two closest friends, theater collaborators she turned her back on years ago. But her journey tears open old wounds and ...
- (8)
- Elisabeth Subrin
- Not Rated
- Dagmara Dominczyk
Feb 8, 2016 · ir decades of prominence in the visual arts, Elisabeth Subrin makes a self-effacingly effective transition to feature films with clunkily-titled Rotterdam competition premiere A Woman, a Part.
Mar 19, 2017 · In a screenplay overrun with concerns of artistic purity and staying true to oneself, the film finds no space to thematize wealth as a source of Anna’s supposed betrayal beyond Kate’s vague assertions of her selling out.
Mar 22, 2017 · A Woman, A Part. The dilemma of the present-day female actor is the subject of this first fictional feature written and directed by media artist Elisabeth Subrin. Maggie Siff, whose smart intensity as a performer practically guarantees an interesting characterization, here plays Anna, a successful television actor whose incipient burnout finds ...
Touching on issues of artistic survival and the porous boundary between work and pleasure, Ms. Subrin, an accomplished visual artist and filmmaker, sifts addiction, celebrity and the plight of the aging actress into something rarefied yet real. Read More. By Jeannette Catsoulis FULL REVIEW. 70. Village Voice.
