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      • Impressionists rebelled against classical subject matter and embraced modernity, desiring to create works that reflected the world in which they lived. Uniting them was a focus on how light could define a moment in time, with color providing definition instead of black lines.
      www.history.com/topics/art-history/impressionism
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  2. 3 days ago · Impressionism, a broad term used to describe the work produced in the late 19th century, especially between about 1867 and 1886, by a group of artists who shared a set of related approaches and techniques. The founding Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Alfred Sisley, Edgar Degas, and Berthe ...

    • The Editors of Encyclopaedia Britannica
  3. Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial ...

  4. Aug 3, 2017 · Impressionism was a radical art movement that began in the late 1800s, centered primarily around Parisian painters. Impressionists rebelled against classical subject matter and embraced...

  5. The Impressionists painters, such as Monet, Renoir, and Degas, created a new way of painting by using loose, quick brushwork and light colors to show how thing appeared to the artists at a particular moment: an "impression" of what they were seeing and feeling.

  6. www.tate.org.uk › art › art-termsImpressionism | Tate

    Tate glossary definition for impressionism: Approach to painting scenes of everyday life developed in France in the nineteenth century and based on the practice of painting finished pictures out of doors and spontaneously ‘on the spot’.

  7. Impressionism, a groundbreaking art movement of the 19th century, sought to capture the fleeting, ephemeral nature of reality. Rather than striving for a meticulous reproduction of the external world, Impressionist artists prioritised the portrayal of subjective experiences, atmospheric effects, and nuanced shifts in colour and light.

  8. The Impressionists wanted to create an art that was modern by capturing the rapid pace of contemporary life and the fleeting conditions of light. They painted outdoors ( en plein air ) to capture the appearance of the light as it flickered and faded while they worked.

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