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  1. The Clown in the Carnival of Repetition. Monograph/VCD Review of Telebisyon: An Essay on Philippine Television by Clodualdo del Mundo, Jr. Issue: Volume 01 Issue 01. Theme: Critical Voice in Media Studies. Type of Article: Review Authors: Raymundo, Sarah Jane DOI: https://doi.org/10.52518/2004.1.1-07srymnd APA Reference Entry:

  2. CHANNEL KULTURA CCP’s Video Series on Philippine Broadcasting as a Cultural Force Written & Directed by Clodualdo Del Mundo, Jr. Produced by the CULTURAL CENTER OF THE PHILIPPINES In...

    • 52 min
    • 4.2K
    • Cultural Center of the Philippines
    • 1 Organisational
    • 2 Sociopolitical
    • 3 Economic
    • 4 Technological
    • 5 Rise of (Independent) Film Festivals

    Following Deocampo’s account, independent filmmaking in the Philippines started when the first movies were shot in the country. He considered these films independent because they were in the forms of short films, newsreels, military- or war-related films for training, and documentaries produced between the 1920s and 1950s. However, this pertains to...

    Philippine independent cinema is also indirectly born out of sociopolitical resistance (Lumbera 2010, p. 95), where film functions as an agent of social change and political reform. Martial law has been crucial in the transformation of the film industry when it was declared in 1972 (Francia 2002, p. 348). It marked a decline in the quality of filmm...

    In 1997, the Asian economic crisis greatly affected the local film industry (Lim 2011, pp. 280–82) and showed a declining pattern in movie production both in quantity and quality (del Mundo 2002, pp. 367–68). Production costs also increased and reached between PhP 10 million (Tiongson 2010, p. 16) and PhP 12 million (Garcia 2000, pp. 53–54). This w...

    Technology is also a purveyor of independent cinema. In the 1980s, the arrival of the Super-8, 16 mm, and video cameras launched some new filmmakers (Baumgärtel 2012, p. 2; Deocampo 1985, p. 29). In 1999, the advent of digital video (DV) technology marked the dawning of the digital era in Philippine cinema (Hernandez 2014, p. 21). This new technolo...

    While the introduction of DV technology has led the industry to discover the medium’s potential and produce more films, the establishment of various independent film festivals provided the much-needed platform that propelled and opened doors for a new generation of filmmakers to rise and showcase their works. One of the earliest festivals that feat...

    • Michael Kho Lim, Michael Kho Lim
    • 2019
  3. Maynila: Isang Pelikulang Pilipino (1975; Clodualdo del Mundo, Jr.) "This is a documentary on the making of the 1975 film "Maynila Sa Mga Kuko ng Liwanag," photographed and edited by Clodualdo (Doy) del Mundo Jr. and produced by Mike De Leon."

    • 23 min
  4. Clodualdo A. del Mundo Jr. (born March 11, 1948) is a Filipino screenwriter, director, and author.

  5. Clodualdo Jr del Mundo, Shirley O. Lua. Liverpool University Press, Jan 1, 2019 - Performing Arts - 360 pages. Direk, a collection of essays on Filipino filmmakers, presents an accessible...

  6. Dr. Clodualdo A. del Mundo, Jr. AY 1998-1999. Status: RETIRED | Rank: FULL PROFESSOR | Department: COMMUNICATION | College: COLLEGE OF LIBERAL ARTS | Present Role in the University: PROFESSOR EMERITUS. Professional Profile:

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