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      • Black Codes were laws enacted by the legislatures of former Confederate States in 1865 and 1866, in response to the passage of the 13th Amendment, which abolished slavery. The laws were intended to restrict the rights and freedoms of slaves who were freed in the wake of the Civil War.
      www.americanhistorycentral.com/entries/black-codes/
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  2. Black Codes (From the Underground) is a 1985 album by jazz trumpeter Wynton Marsalis. [3] [4] Accolades and legacy. It won two Grammy Awards in 1986: Best Instrumental Jazz Performance, Individual or Group and Best Jazz Instrumental Performance, Soloist. [5] .

    • Post-Bop
  3. LP, Album, Stereo. Explore the tracklist, credits, statistics, and more for Black Codes (From The Underground) by Wynton Marsalis. Compare versions and buy on Discogs.

    • (454)
    • Jazz
    • 302
    • Post Bop, Contemporary Jazz, Modal
  4. Review: Black Codes (From the Underground) When Wynton Marsalis first emerged as a 19-year-old prodigy in Art Blakey’s Jazz Messengers, the trumpeter’s ardent defense of acoustic jazz was heartening.

  5. He calls this album Black Codes (From the Underground) as a reference to the prohibitive 19th century slave laws that emphasized depriving chattels of anything other than what was necessary to maintain their positions as talking work animals.

    • Wynton Marsalis Quintet
    • January 11-14, 1985
    • Columbia
    • June 9th, 1985
  6. sponse to a call Wynton first heard more than half a century ago in his native New Orleans and hears still, each day. We hear it, too, in “Black Codes.” No less a musician than the late French legend Maurice Andre once claimed that Wynton might be the greatest trumpet player in the history of music. Hyperbole aside, it would be a challenge

  7. Black Codes (From the Underground), an Album by Wynton Marsalis. Released 9 June 1985 on Columbia (catalog no. FC 40009; Vinyl LP). Genres: Post-Bop. Rated #179 in the best albums of 1985.

  8. Jul 23, 2014 · Wynton Marsalis has become the poster child of the conservative movement in post-1970s jazz, which tends to view the genre as something entirely mapped out with well defined boundaries that has survived certain “failed” formulations that are only worthy of being derided or ignored.

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