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  1. Carnal Art reveals the Christian denial of thepleasure-body” and exposes its weakness in the face of scientific discovery. All the less does it follow the tradition of suffering and martyrdom, adding rather than taking away, it enhances the faculties instead of reducing them.

  2. en.wikipedia.org › wiki › OrlanOrlan - Wikipedia

    During the confinement in 2020, Orlan wrote her autobiography Strip-tease : tout sur ma vie, tout sur mon art published by Gallimard on the 3rd of June, 2021. [10] On November 29, 2021, she was decorated with the National Order of the Legion of Honor with the rank of Knight by the Minister of Culture Roselyne Bachelot

  3. Jan 23, 2024 · In 'The Reincarnation of Saint ORLAN', French artist Orlan uses her body as a medium, creating a spectacle of surgically alerting it and recording the process.

  4. ORLAN’s carnal art is a pain-free, pseudo-religious tableaux, casting her surgeons as priest-like figures at a Catholic mass. Both in filming these surgeries and in the resulting body modifications, the artist does not reject plastic surgery as ‘anti-feminist’, but rather embraces it in an effort to confront male-centric societal beauty ...

  5. Dec 10, 2021 · Her most vital, most challenging and radical invention is carnal art: self-portrait and self-transformation within her own body. This article will talk about that: about Orlan using plastic surgery to make her body into an art piece — or multiple art pieces, really — and interrogating the male world’s opinions on women’s beauty, their ...

  6. Synopsis. With her surgical operations-cum-performances, Orlan makes the operating table her artist’s studio, where she produces work consisting of videos, drawings made with her own blood, reliquaries containing her flesh, shrouds, texts…. By submitting her own body to aesthetic surgery, the French artist, born in 1947, denounces the ...

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  8. ORLAN makes her own body the medium, the raw material, and the visual support of her work. It takes place as the “public debate”. She is a major figure of the body art and of “carnal art” as she used to define it in her 1989 manifesto. Her commitment and her liberty are an integral part of her work.

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