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      • No, Dr. Augustine is not inspired by a real person. In fact, ‘The Midnight Sky’ is actually based on a book by Lily Brooks-Dalton called ‘Good Morning, Midnight.’ So it is not surprising that the esteemed scientist is fictional.
      thecinemaholic.com/the-midnight-sky-is-dr-augustine-a-real-person-is-k-23-a-real-planet-or-moon/
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  2. The Midnight Sky is a 2020 American science fiction film directed by George Clooney based on the 2016 novel Good Morning, Midnight by Lily Brooks-Dalton. The script was written by Mark L. Smith.

  3. Dec 23, 2020 · No, Dr. Augustine is not inspired by a real person. In fact, ‘The Midnight Sky’ is actually based on a book by Lily Brooks-Dalton called ‘Good Morning, Midnight.’ So it is not surprising that the esteemed scientist is fictional. Clooney has not only starred in the film, but he also directed it.

  4. Dec 26, 2020 · George Clooney's latest sci-fi drama, The Midnight Sky, ends with a glimmer of hope in the midst of crisis. Here's the ending of the film, explained.

  5. Dec 21, 2020 · If that kind of weary irony is at all intended in Midnight Sky, though, it’s heavily disguised. Clooney’s film—based on Lily Brooks-Dalton ’s novel, adapted by Mark L. Smith —is mostly a ...

  6. Dec 27, 2020 · While The Midnight Sky is based on a book called Good Morning, Midnight by Lily Brooks-Dalton, the catastrophic event isn't revealed in that book either, so we can't take any clues or answers...

    • isandwell@digitalspy.co.uk
    • 2 min
  7. Jan 9, 2021 · In Netflix’s The Midnight Sky, terminally ill scientist Augustine Lofthouse (George Clooney) lives alone at a research facility in the Arctic three weeks after the Earth is devastated by an unknown apocalyptic disaster referred to only as “the event,” which is never explained by the end of the film.

  8. Dec 23, 2020 · A dying man trudges across a dying planet in George Clooney ’s ambitious sci-fi epic for Netflix, “The Midnight Sky.” Based on the book by Lily Brooks-Dalton, this is a piece that almost feels designed by a screenwriting algorithm informed by some of the top genre films of the last couple decades.

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