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Neo-bop (also called neotraditionalist) refers to a style of jazz that gained popularity in the 1980s among musicians who found greater aesthetic affinity for acoustically based, swinging, melodic forms of jazz than for free jazz and jazz fusion that had gained prominence in the 1960s and 1970s.
Neo-bop (also called neotraditionalist) refers to a style of jazz that gained popularity in the 1980s among musicians who found greater aesthetic affinity for acoustically based, swinging, melodic forms of jazz than for free jazz and jazz fusion that had gained prominence in the 1960s and 1970s.
Neo-bop (also called neotraditionalist) refers to a style of jazz that gained popularity in the 1980s among musicians who found greater aesthetic affinity for acoustically based, swinging, melodic forms of jazz than for free jazz and jazz fusion that had gained prominence in the 1960s and 1970s.
List of neo-bop musicians. Neo-bop as a subgenre emerged within jazz during the early 1980s. This list is derived from All Music [ 1] and may contain inaccuracies. In addition the source indicates most or all these musicians work in others genres as well with Post-bop and Hard bop being most common. Contents:
Sep 24, 2019 · The variety of jazz styles that emerged during the 1950s was followed by very little agreement about how to describe them. For instance, Harvey Pekar (1964) has written about critics who “… consistently put down a New York City-centered jazz movement indiscriminately tagged ‘hard bop,’ or ‘neo-bop’ or ‘post-bop.’.
Jun 8, 2020 · The Life writer calls it “a pitch-black blend of funky beats,” while the Ebony writer terms it “neo-bop,” with a parenthetical that it could also be termed “East Coast jazz, or hard bop, or funk, or soul jazz.” At its core, however, is that this is music rooted in the Black community, forged by an entire timeline of musical traditions.
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Jul 20, 2022 · Neo-bop (also called neotraditionalist) refers to a style of jazz that gained popularity in the 1980s among musicians who found greater aesthetic affinity for acoustically-based, swinging, melodic forms of jazz than for free jazz and jazz fusion that had gained prominence in the 1960s and 1970s.
