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With this thrilling, must-see movie event, writer and director Quentin Tarantino (PULP FICTION) completes the action-packed quest for revenge begun by The Bride (Uma Thurman) in KILL BILL VOL. 1! Having already crossed two names from her Death List, The Bride is back with a vengeance and taking aim at Budd (Michael Madsen) and Elle Driver (Daryl Hannah), the only survivors from the squad of ...
Apr 16, 2004 · It's the dialogue heavy sibling to "Vol. 1", explaining and tying up all the loose ends with Tarantino's pretty punches of dazzling action and a refreshing climax. "Vol. 2" slightly etches out "Vol. 1" because I found its dialogue more magical than its radical style and it works better with having "Vol. 1"'s events kept as a mystery while it quickly recaps those events in its introduction.
Beatrix walks in and immediately attacks Elle. Their long and vicious fight destroys the trailer's interior. In a lull in the hostilities, Beatrix asks Elle how she lost her eye and Elle says that Pai Mei ripped it out because she offended him. Elle tells Beatrix that she poisoned Pai Mei in revenge and he died.
The Bride has three left on her rampage list: Budd, Elle Driver and Bill himself. But when she arrives at Bill's house, she's in for a surprise. Watch trailers & learn more.
Apr 16, 2004 · Vol. 2 gives us, for the first time, a full account of the wedding rehearsal massacre that sets the plot of this two-part epic in motion. After fending off attacks from Bill's trailer-trash kid ...
Série Kill Bill Kill Bill: Volume 1 (2003) Pour plus de détails, voir Fiche technique et Distribution . modifier Kill Bill: Volume 2 (Kill Bill: Vol. 2) est un film américain réalisé par Quentin Tarantino , sorti en 2004 . Il fait suite à Kill Bill: Volume 1 sorti l'année précédente, les deux étant à l'origine prévus pour n'être qu'un seul film (diptyque). Synopsis [modifier ...
Apr 16, 2024 · 'kill bill: vol. 2' trailer To put it simply, if 'Vol. 1' was the ecstasy of revenge, 'Vol. 2' is its agony. With startling ease, the film carefully shifts its tone from the operatic to the intimate, Tarantino, cinematographer Robert Richardson and editor Sally Menke forgoing many of the cinematic tricks they'd employed in the first volume.
