Yahoo Canada Web Search

Search results

  1. Jan 28, 2017 · Vincente Minnelli (1945—1951) Hulton Archive/Getty. Garland’s 1944 film Meet Me in St. Louis was one of her biggest hits — launching songs “The Boy Next Door,” “The Trolley Song” and ...

    • 2 min
    • Dave Quinn
  2. Vincente Minnelli 1 (né Lester Anthony Minnelli le 28 février 1903 à Chicago et mort le 25 juillet 1986 à Beverly Hills) est un réalisateur et metteur en scène américain. Au cours d'une carrière de près de cinq décennies, il est surtout connu pour son innovation sophistiquée et son talent artistique dans les films musicaux.

  3. A comprehensive scholarly examination of Vincente Minnelli, one of American cinema's central filmmakers. Widely known for innovative films like Meet Me in St. Louis, An American in Paris, and The Band Wagon, Vincente Minnelli also directed classic film comedies like Father of the Bride and Designing Woman, and melodramas such as The Bad and the Beautiful and Some Came Running.

  4. Vincente Minnelli (b. 1903–d. 1986) was the great dreamer of the American cinema, a director who lavished his imaginative visual instincts on musicals, comedies, and dramas in the twenty or so years he spent as a house director at Metro-Goldwyn Mayer (MGM) Studios.

  5. Stars. V incente Minnelli was the director of such classic Hollywood films as "An American in Paris," "Gigi" and "Meet Me in St. Louis" who was praised by critics for his daring use of color, innovative camera work and skill at advancing a story through dance and song. Minnelli, who won an Oscar for "Gigi" (1958), made his last film, "A Matter ...

  6. The neglected wife of a tweedy astronomer becomes convinced that her astrologer's prediction of a new dream man in her life will come true. Directors: Alexander Hall, Vincente Minnelli | Stars: William Powell, Hedy Lamarr, James Craig, Fay Bainter

  7. Aug 13, 2019 · Best film: Meet Me in St. Louis. This film is really right there with The Wizard of Oz and A Star Is Born as a showcase for Judy Garland’s talents. More importantly for Minnelli’s case it marks a transition for the movie musical from the black and white Astaire and Rogers films to the gorgeous Technicolor movie musical spectacle that would ...

  1. People also search for