Search results
Louis Malle, né le 30 octobre 1932 à Thumeries ( France) et mort le 23 novembre 1995 à Beverly Hills ( Californie ), est un réalisateur français . Tout au long de sa carrière, il est récompensé par la Palme d'or en 1956, par l' Oscar du meilleur film documentaire en 1957 et par trois Césars en 1988 .
Acclaimed for a cinema of emotional realism and stylistic simplicity, French master Louis Malle was among the most prolific directors working in the post-war period. Encompassing both the experimental and the classical modes of storytelling, Malle’s films are often nuanced character studies, laced with...
Interview with Louis Malle (1976) Roger Ebert September 30, 1976. Tweet. Some people daydream and some people don't. So said Louis Malle on a sunny day last April, as he peeled an orange and looked out of his hotel window at Lake Michigan. "I think you're safer if you don't.
In 1979, Louis Malle traveled into the heart of Minnesota to capture the everyday lives of the men and women in a prosperous farming community. Six years later, during Ronald Reagan’s second term, he returned to find drastic economic decline. Free of stereotypes about America’s “heartland,” _God’s Country,_ commissioned for American public television, is a stunning work of emotional ...
Jun 19, 2005 · In the late 1950's, when the young Louis Malle was beginning his filmmaking career, his restless, searching temperament served him well at first: at 23 he was a co-director (with Jacques-Yves ...
Louis Marie Malle was a French film director, screenwriter, and producer who worked in both French cinema and Hollywood. Described as "eclectic" and "a filmmaker difficult to pin down", Malle made documentaries, romances, period dramas, and thrillers.
The Documentaries of Louis Malle. Over the course of a nearly forty-year career, Louis Malle forged a reputation as one of the world’s most versatile cinematic storytellers, with such widely acclaimed, and wide-ranging, masterpieces as ELEVATOR TO THE GALLOWS, MY DINNER WITH ANDRE, and AU REVOIR LES ENFANTS. At the same time, however, with ...
