Yahoo Canada Web Search

  1. Ad

    related to: Ralph Vaughan Williams: Symphony No. 4 in F minor; Fantasia on a Theme by Thomas Tallis; Oboe Concerto John Williams

Search results

  1. Nov 30, 1999 · Hamilton Harty: Orchestral Works (1995) Elgar: The Sanguine Fan (1996) Harty: Violin Concerto; Piano Concerto (1996) Unforgettable Viennese Classics (1996) Romantic Piano Concertos (1997) Ralph Vaughan Williams: Norfolk Rhapsody No. 1; In the … (1999)

  2. In fact, the tune is interesting mainly in the way Vaughan Williams elaborates on it. Also, despite the title "Fantasia," Vaughan Williams has composed a very tight work, with almost no wasted notes. The Fantasia consists of the following large sections: 1. An introduction, where Vaughan Williams hints at 3 major themes (0:00) 2.

  3. Mar 19, 2012 · Ralph Vaughan Williams (1872-1958), EnglandFantasia on a Theme by Thomas Tallisfor Double Stringed OrchestraDavid Nolan, LeaderLondon Philharmonic OrchestraB...

    • 16 min
    • 2.8M
    • miljkmi
  4. Oct 11, 2022 · Symphony No. 5. This symphony, written between 1938 and 1943, is Vaughan Williams’ orchestral music at its pastoral, romantic best. The composer used lots of the fine tunes in this symphony that were lying around, waiting to be used for his opera, The Pilgrim’s Progress (see below). Vaughan Williams: 5.

  5. Collectors will savour a genuine rarity: the composer’s own orchestra-only arrangement of the Serenade to Music…the music sounds as rapturously beautiful... — BBC Music Magazine, Christmas 2019, More…. Release Date: 11th Oct 2019. Catalogue No: ONYX4212. Label: Onyx. Series: Manze Vaughan Williams. Length: 69 minutes.

  6. Faces of Classical Musichttp://facesofclassicalmusic.blogspot.gr/•Ralph Vaughan Williams (1872-1958)♪ Fantasia on a Theme by Thomas Tallis (1910)BBC Symphony...

    • 17 min
    • 40K
    • Faces of Classical Music – 2
  7. Dec 18, 2022 · Vaughan Williams gave a copy of the printed full score of the Fantasia on a Theme by Thomas Tallis to Boult in January 1922, but it was another ten years before he conducted it. The reasons for this are unclear: perhaps Boult was initially doubtful of the work’s effectiveness in a concert hall, as opposed to a cathedral or large church where the spatial separation of the strings would make a ...