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  1. Daniel Sollinger is a graduate of New York University’s Film School and the producer of more than 400 commercials, music videos, and short films for clients including Pepsi, Warner Brothers Records, CBS, Sony, and Comedy Central and working with such artists as Will Smith, LL Cool J and A Tribe Called Quest, Daniel has produced documentaries such at Rhyme & Reason and Immortality or Bust ...

  2. Daniel Sollinger is known as an Producer, Line Producer, Co-Producer, Unit Production Manager, Production Manager, Director, and Location Manager. Some of their work includes Clean, The Alphabet Killer, The Pact II, L.A. Slasher, Duress, Dot.Kill, 10 Cent Pistol, and Jumpin' at the Boneyard.

  3. Archive 81. (podcast) Archive 81 is a horror podcast created by Daniel Powell and Marc Sollinger and starring Amelia Kidd. It uses the found footage technique and follows the story of Dan (voiced by Daniel Powell), an archivist tasked to restore the audio recordings of Melody Pendras during her stay at the Visser Apartment. [5]

  4. Dec 8, 2021 · Watch on. In May 2021, we had the pleasure of welcoming Producer Daniel Sollinger as part of The 20/20 Series, created by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein. Sollinger is the producer of more than 400 commercials, music videos, and short films for clients including Pepsi, Warner Brothers Records, CBS, Sony ...

  5. Daniel Sollinger is on Facebook. Join Facebook to connect with Daniel Sollinger and others you may know. Facebook gives people the power to share and makes the world more open and connected.

  6. Daniel Sollinger is a graduate of New York University's Film School, and the producer of more than 350 commercials, music videos, and short films for clients including Pepsi, Warner Brothers Records, CBS, Sony, and Comedy Central. His work has won awards from New York University, The American Film Institute, The Accolade Awards and the American Motion Picture Society.

  7. Daniel Sollinger 22:07 Yeah, um, as well, just back for a second of what you were saying about that shoot in Florida, you know, I've very often get I do a lot of, you know, breakdown schedules and budgets for movies that are fundraising or trying to get greenlit and what have you. And, um, if there's too much discrepancy between the above the line, and the below the line, that is not a good look.

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