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Arthur P. Jacobs (March 7, 1922 – June 27, 1973) was an American film producer. Prior to being a producer, he worked in various studios and was a press agent . Beginning in 1963 until his death, he was responsible for film productions such as the Planet of the Apes series, Doctor Dolittle , Goodbye, Mr. Chips , Play It Again, Sam and Tom Sawyer through his company APJAC Productions.
Producer: Conquest of the Planet of the Apes. Arthur P. Jacobs is best known for producing the "Planet of the Apes" series. He bought the rights to Pierre Boulle's novel Monkey Planet in 1963. Many film studios passed on the project, stating that the concept was unfilmable. Jacobs persevered, and the film was released in 1968 to wide popular ...
- Most Studios, and The Book’S Author, Thought It Would Make A Terrible Movie.
- A Makeup Test Helped Convince 20th Century Fox to Produce The Movie.
- The Man Behind The Ape Makeup Also Helped Design Spock’s ears.
- Rod Serling Wrote An Initial Draft That Featured A Contemporary City.
- Writer Michael Wilson Brought More Humor and Political Overtones to The script.
- The Makeup Process Required A Small Army of Artists.
- The Makeup Process Improved as Production Moved along.
- Lunchtime Led to Some Unintended Segregation.
- A Chimp Handed Makeup Artist John Chambers His Honorary Oscar.
- A Trip to A Deli Inspired The Ending.
Apes, especially talking ones, were the stuff of B-movies back in the 1960s, so nobody took them seriously. That’s exactly the mantra producer Arthur P. Jacobs ran into when he was shopping Planet of the Apes around Hollywood. Jacobs’s pitch was soundly rejected everywhere he went; even Pierre Boulle—author of the source material, La Planète des Si...
Jacobs’s Planet of the Apespitch did manage to catch the attention of one executive: former vice president of 20th Century Fox Richard Zanuck. But Zanuck had one reservation: What if people laughed at the makeup? Up until that point, onscreen apes had either been real monkeys or people in flimsy costumes—and if the makeup didn’t hit the mark, the m...
The man hired to design the increasingly vital ape makeup for the movie was John Chambers, who had made a name for himself by this time as one of the premier creature effects artists in Hollywood. He had experience working on sci-fi and fantasy shows like The Munsters, The Outer Limits, and Lost in Space. But his biggest contribution to the genre w...
The first writer to take a shot at adapting Planet of the Apes was Rod Serling, the man who brought twists, turns, and terror to TV sets across the country with The Twilight Zone. Serling wrote feverishly, producing upwards of 30 drafts of the script in a year [PDF], but one problem kept his vision from reaching screens: money. Serling’s scripts fe...
After much of Serling’s script was deemed unusable, writer Michael Wilson was brought onboard to create a filmable version of the movie. Wilson was a victim of Hollywood’s blacklisting in the ‘50s, being forced to go uncredited on some of his most notable works, including the script to 1958's The Bridge on the River Kwai, which was also adapted fro...
At its height, the movie’s production required around 100 makeup artists, wardrobe workers, and hairstylists to be on set to get all of the apes in costume and ready for shooting. For some of the larger scenes, there were around 200 actors and actresses to get in full ape garb, all of which required hours of work. The whole makeup process was run l...
When the production started, it took upwards of six hours to put an actor into full ape makeup including the hair, brows, ears, mouth, and hands. This process eventually became more and more streamlined as the work progressed, with Chambers and his team eventually whittling it down to just a bit over three hours. Chambers himself referred to the wh...
One of the more peculiar side effects of having a cast of humans in ape garb occurred at lunch time on set. Subconsciously, the cast ate divided down species lines: The human actors, chimpanzees, orangutans, and gorillas all fell in line with a sort of self-segregation and ate with their own kind. This wasn’t some brand of method acting, either, as...
In 1969, there wasn’t an Oscar category for achievement in makeup, but John Chambers’s work on Planet of the Apeswas so far beyond the industry standard that it had to be recognized in some way. The Academy decided on an honorary Oscar for Outstanding Makeup Achievement and presented it during the 41st Academy Awards. Chambers was introduced to the...
Early on in the process, producer Arthur P. Jacobs and director Blake Edwards—who was originally attached to direct Planet of the Apes—were having trouble cracking the film's ending. In Boulle’s original novel, the action doestake place on a completely different planet. For the movie, though, they wanted something less predictable. While eating at ...
Mar 31, 2024 · After successfully adapting Pierre Boulle’s 1963 novel Planet of the Apes into a banger sci-fi film franchise in 1968, producer Arthur P. Jacobs wanted Dune to be his next big movie project. In ...
- Ryan Britt
His determined efforts as one of the most respected producers in Hollywood history allowed him to bring the saluted simian sensations to the big- and small-s...
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- JJ (Governor) Carrier
Arthur P. Jacobs (March 7, 1922 – June 27, 1973) was an American film producer. Prior to being a producer, he worked in various studios and was a press agent.Beginning in 1963 until his death, he was responsible for film productions such as the Planet of the Apes series, Doctor Dolittle, Goodbye, Mr. Chips, Play It Again, Sam and Tom Sawyer through his company APJAC Productions.
Arthur P. Jacobs Biography. Arthur P. Jacobs is best known for producing the "Planet of the Apes" series. He bought the rights to Pierre Boulle's novel Monkey Planet in 1963. Many film studios passed on the project, stating that the concept was unfilmable. Jacobs persevered, and the film was released in 1968 to wide popular acclaim.
