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  1. Mikael Marcimain (born 17 March 1970) is a Swedish film and television director. Marcimain has primarily directed advertisements and television dramas, for which he has received several awards. Notable in his filmography are the serials The Laser Man and How Soon Is Now? , which were made with cinematographer Hoyte van Hoytema .

  2. Mikael Marcimain. Director: Call Girl. Mikael Marcimain was born on 17 March 1970 in Stockholm, Sweden. He is a director and assistant director, known for Call Girl (2012), Gentlemen (2014) and Tinker Tailor Soldier Spy (2011).

    • January 1, 1
    • 1.78 m
    • Stockholm, Sweden
    • 2 min
  3. May 17, 2023 · Mikael Marcimain, the Swedish director of 'Gentlemen,' is on track to direct 'Devastation,' an epic and horrific tale of survival set in 1867. Mikael Marcimain, 'Midsommar' Team Board 'Devastation'

    • Elsa Keslassy
  4. Oct 4, 2023 · Director Mikael Marcimain says: “After a number of period projects, I wanted to make a contemporary film that’s exciting, rawly sensual and loaded with social commentary. Joakim Zander’s emotional, brutal and dark novel, “An Honest Life”, a coming of age thriller set at a university felt like perfect cinematic material.

  5. KIN. Zeta - Italia - Svezia. Zeta - Welcome Party. McDonald´s - Crafted Chicken. Swedish Armed Forces - The Penalty. H&M - Fall in love. IKEA - Serious Cooking. With over 10 feature films and TV dramas under his belt, Mikael has extensive and unique experience as a filmmaker. His long career includes his feature film debut “Call Girl ...

  6. Mikael Marcimain. Highest Rated: 80% Call Girl (2012) Lowest Rated: 40% Horizon Line (2020) Birthday: Mar 17, 1970. Birthplace: Stockholm, Sweden. Mikael Marcimain showed that directing in a form ...

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  8. Oct 4, 2023 · The prolific Swedish director Mikael Marcimain of the hit series Blackwater and The Hunt for a Killer said about the Netflix feature currently filming in Lund: “After a number of period projects, I wanted to make a contemporary film that’s exciting, rawly sensual and loaded with social commentary.”