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  1. en.wikipedia.org › wiki › Rob_SimonsenRob Simonsen - Wikipedia

    Rob Simonsen (born March 11, 1978) is an American composer and conductor. He is best known for his scores in films such as 500 Days of Summer (2009), ...

  2. www.imdb.com › name › nm1387379Rob Simonsen - IMDb

    Rob Simonsen. Composer: Deadpool & Wolverine. Rob Simonsen is a singular composer, solo artist and co-founder of composer collective The Echo Society. Simonsen has paved his own musical path, and through years of education and experimentation, crafted a voice that both respects music traditions and explores new bounds.

    • January 1, 1
    • Composer, Music Department, Soundtrack
    • St. Louis, Missouri, USA
    • Rob Simonsen
  3. Mar 25, 2022 · Get an inside look behind the score of The Adam Project with composer Rob Simonsen. Listen to the soundtrack here: https://soundtracks.lnk.to/adamprojectAY A...

    • 5 min
    • 25.3K
    • SonySoundtracksVEVO
  4. Acclaimed composer Rob Simonsen on film scoring for THE AGE OF ADALINE -- in theaters now nationwide. DOWNLOAD THE ALBUM: http://bit.ly/AOAscore SUBSCRIBE: ...

    • 5 min
    • 11.9K
    • Lakeshore Records
  5. Nov 22, 2021 · Composer Rob Simonsen talks about his approach to reimagining and expanding the supernatural sonic palette of Elmer Bernstein's original Ghostbusters score. He also reveals his references to Eighties films and fan service to the ondes Martenot and the Yamaha DX7.

  6. www.robsimonsen.com › infoInfo

    Info. Rob Simonsen is a composer, solo artist, and co-founder of the composer collective, The Echo Society. ‍ Simonsen's professional journey began when his score for the indie film Westender caught the attention of renowned composer Mychael Danna. His early work included contributing additional music on films like Moneyball and Life of Pi ...

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  8. It was Simonsen’s first time recording in Paris, and the engineers’ evident love for vintage analogue gear and microphones proved crucial. Their work at Studios St Germain – owned by the film’s music supervisor, Raphaël Hamburger – proved so satisfying that all involved agreed Simonsen should return to record his oft-promised, oft-fantasised solo debut.

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