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Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".
Jan 17, 2013 · Hines’ solo performances during 1928 were during the period when he was transforming jazz with a chap by the name of Louis Armstrong. Here, he takes the spotlight by himself and delivers mind boggling pieces such as “A Monday Date” and “Blues In Thirds.”.
View credits, reviews, tracks and shop for the Vinyl release of "Here Is Earl Hines At His Rare Of All Rarest Performances Vol.1" on Discogs.
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Freedom From Rhythm. Hines taught piano players how to break free from that and play what we now call jazz. In the bass notes, the hand could walk and jump, chord, and hold notes longer than expected to play against expected time.
Jul 26, 2019 · A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear melodic line that stood out over the sound of a whole band, but he also ...
Earl Hines. Influential pianist whose melodic sense and innovative rhythmic style made him one of the pioneers of modern jazz. Read Full Biography. STREAM OR BUY: Active. 1920s - 1980s. Born. December 28, 1905 in Duquesne, PA. Died.
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Earl Hines was one of the most revolutionary piano stylists of the 20th Century, bridging the gap between ragtime and the New Orleans style of Jelly Roll Morton, the stride piano of James P. Johnson and Fats Waller and the modern sounds of Thelonious Monk, Bud Powell, Bill Evans and others.
