Yahoo Canada Web Search

Search results

  1. Tracks 1 to 16 from the original motion picture score to Fargo. Tracks 17 to 24 from the original motion picture score to Barton Fink. Fargo's main theme (Fargo, North Dakota) is based on Den Bortkomne Sauen, a Norwegian folk song by Annbjørg Lien, from her 1994 album Annbjørg Lien - Felefeber. 'Printed In Canada' on back insert.

    • (13)
    • US
    • 15
    • CD, Album, Compilation
  2. Fargo/Barton Fink by Carter Burwell released in 1996. Find album reviews, track lists, credits, awards and more at AllMusic.

    • (16)
  3. Original Motion Picture Score For The Virgin Suicides. AIR. Released. 2000 — Europe. CD —. Album. Explore the tracklist, credits, statistics, and more for Fargo / Barton Fink by Carter Burwell. Compare versions and buy on Discogs.

    • (26)
    • 2:48
    • 25
    • Folk, World, & Country, Stage & Screen
  4. carterburwell.com › projects › FargoCarter Burwell - Fargo

    Written and Directed by Joel and Ethan Coen. Composed, Orchestrated and Conducted by Carter Burwell Music Editor: Todd Kasow Music Scoring Mixer: Mike Farrow Contractor: Emile Charlap Recorded and Mixed at Manhattan Center Studio, NY, NY. Starring Fran McDormand, William Macy, Steve Buscemi, Peter Stormare. U.S. Release March, 1996.

  5. Barton Fink, meanwhile, sounds more adventurous with offbeat instrumentation (a very gamelan-sounding keyboard prevails) and a simple score that Burwell recycles into different arrangements. Fargo , especially, sounds dark and reserved--"The Ozone" and "Chewing on It" are both underlined by melancholy--while Barton Fink is just as lyrical but more mysterious.

    • Audio CD
  6. May 28, 1996 · Listen free to Carter Burwell – Fargo / Barton Fink (Fargo, North Dakota, Moose Lake and more). 24 tracks (). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.

  7. People also ask

  8. www.carterburwell.com › projects › Barton_FinkCarter Burwell - Barton Fink

    Carter's Notes. When Joel and Ethan Coen brought me the script to Barton Fink, they said they weren't sure it would need any score. The plan was to feature Skip Lievsay's sound effects rather than music. But they wanted me to read the script in case I had some musical ideas.