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Pseudolus, the servant of Simo, promises his master's son, that, if possible, he will prevent this. They first address Ballio on the subject; but their attempts to influence him are all in vain. Pseudolus then devises a plan to get some money out of Simo, by whom, however, it is discovered; but, after having acknowledged his fault, he prevails ...
Pseudolus is a play by the ancient Roman playwright Titus Maccius Plautus. It is one of the earliest examples of Roman literature. Pseudolus was first shown in 191 B.C. during the Megalesian Festival, [1] which was a celebration for the Greek Goddess Cybele. [2] The temple for worship of Cybele in Rome was completed during the same year in time ...
Pseudolus Pseudolus Stage Record. Acted at the Megalesian games when Marcus Junius, son of Marcus, was city praetor. Plot Summary 1. A soldier pays fifteen minutes cash down, and at the same time affixes his seal to a token, so that the pimp will give Phoenicium to the man who brought its equivalent with the rest of the money.
Like the Curculio, the first scene of the Pseudolus (ll. 3–132) begins with a young man who is in tears because his girlfriend, who belongs to a pimp, is going to be taken away from him. The young, impecunious man in the Pseudolus is called Calidorus, and Pseudolus, the eponymous hero of our play, is the clever slave who will help him.
Signature. Aldous Leonard Huxley (/ ˈɔːldəs / AWL-dəs; 26 July 1894 – 22 November 1963) was an English writer and philosopher. [1][2][3][4] His bibliography spans nearly 50 books, [5][6] including non-fiction works, as well as essays, narratives, and poems. Born into the prominent Huxley family, he graduated from Balliol College, Oxford ...
Sep 5, 2023 · Pseudolus is able to get the sealed letter from a Macedonian soldier who is the voice for the original purchaser. Then, Pseudolus gets a slave named Simia to deliver the sealed letter to Ballio ...
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Description. Pseudolus of all Plautus' comedies most fully reveals its author's metapoetics. As its eponymous clever slave telegraphs his every move to spectators, Pseudolus highlights the aesthetic, social, and performative priorities of Plautine comedy: brilliant linguistic play, creative appropriation of comic tradition, interrogation of convention and social norms, the projection of an air ...
