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Damiano Damiani (23 July 1922 – 7 March 2013) was an Italian screenwriter, film director, actor and writer. Poet and director Pier Paolo Pasolini referred to him as "a bitter moralist hungry for old purity", while film critic Paolo Mereghetti said that his style made him "the most American of Italian directors".
Damiano Damiani (1922-2013) fu un regista, sceneggiatore, attore e saggista italiano, noto per i suoi film di denuncia e politico-civile. Tra i suoi capolavori ci sono Il giorno della civetta, Confessione di un commissario di polizia al procuratore della repubblica, L'istruttoria è chiusa: dimentichi e La piovra.
Damiano Damiani (1922-2013) est un écrivain, scénariste, acteur et réalisateur italien de cinéma. Il a réalisé des films sociaux, policiers et historiques, comme La Mafia fait la loi, Amityville 2 : Le Possédé ou L'Enquête.
Damiano Damiani (23 July 1922–7 March 2013) was an Italian screenwriter, film director, actor and writer. He was born in Pasiano di Pordenone, Friuli. Description above from the Wikipedia article Damiano Damiani, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Jun 14, 2023 · The first disc is Radiance Film’s Cosa Nostra box set presents both the original Italian and slightly shorter English-language versions of Damiano Damiani’s Day of the Owl (aka, Mafia), each in the original aspect ratio of 1.85:1 on a dual-layer disc. The 1080p/24hz high-definition presentations are sourced from a new 2K restoration, and each cut is presented via seamless branching.
Jun 18, 2023 · Picture 8/10. The second dual-layer disc in Radiance’s Cosa Nostra box set (featuring three mafia-themed collaborations between director Damiano Damiani and star Franco Nero) is The Case is Closed: Forget It, presented in the aspect ratio of 1.85:1. The 1080p/24hz high-definition presentation is sourced from a 2K restoration.
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Aug 14, 2023 · Radiance’s extras go a long way toward providing the context necessary to understanding the social commentary embedded in Damiano Damiani’s work. Each film comes with a new interview with Franco Nero, who reminisces about his relationship with Damiani, relates production anecdotes, and talks about the reception and legacy of the individual films.
