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A. W. Hackel, born Aaron William Hackel (December 18, 1882 – October 22, 1959), was an American film producer who founded Supreme Pictures in 1934. Biography [ edit ] Hackel was born in Ulanów , Nisko County , Podkarpackie Voivodeship , Poland.
A.W. Hackel. Producer. Additional Crew. IMDbPro Starmeter See rank. A.W. Hackel was born on 18 December 1882 in Austria-Hungary [now Austria]. He was a producer, known for Borrowed Hero (1941), Phantom Killer (1942) and Murder by Invitation (1941). He was married to Beckie Samelson. He died on 22 October 1959 in Los Angeles, California, USA.
- Producer, Additional Crew
- December 18, 1882
- A.W. Hackel
- October 22, 1959
A.W. Hackel. Producer: Borrowed Hero. A.W. Hackel was born on 18 December 1882 in Austria-Hungary [now Austria]. He was a producer, known for Borrowed Hero (1941), Phantom Killer (1942) and Murder by Invitation (1941). He was married to Beckie Samelson. He died on 22 October 1959 in Los Angeles, California, USA.
Mar 26, 2011 · Branded a Coward. Safely from behind some shrubbery, Johnny Hume (Mickey Rentschler), a boy of 6 or 7, witnesses the slaughter of his mother, father and brother by the guns of a gang led by "the Cat" (Yakima Canutt). Twenty years later finds Johnny (Johnny Mack Brown) grown to manhood, an expert bronc rider and target shooter - but paralyzed ...
- 56 min
A.W. Hackel was an American film producer who founded Supreme Pictures in 1934. Hackel contracted Bob Steele for 32 of his Westerns, for example Alias John Law in 1935. In 1936, Republic Pictures needed more Westerns and made a deal with Hackel who released his films through Republic.
Mar 26, 2011 · A good, sturdy, and quick little western for A.W. Hackel's Supreme Pictures. Directed by Robert N. Bradbury with stunts by Yakima Canutt (obviously). Johnny Mack Brown's last release for 1935 is quite good of kind. It's filmed almost completely outdoors on location, with the exception of the begginning and the Mine interiors, later on.
Feb 8, 2024 · This instrumental learning framework has been used recently to characterize social-interactive impression formation (Hackel et al., 2015, 2020) and to illuminate how this process contributes to automatic responses (Hackel et al., 2019) and context-specific impressions (Hackel et al., 2022).
