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  1. en.wikipedia.org › wiki › Douglas_SirkDouglas Sirk - Wikipedia

    Douglas Sirk (born Hans Detlef Sierck; 26 April 1897 – 14 January 1987) was a German film director best known for his work in Hollywood melodramas of the 1950s. However, he also directed comedies, westerns, and war films.

  2. www.imdb.com › name › nm0802862Douglas Sirk - IMDb

    Douglas Sirk. Director: The Final Chord. Film director Douglas Sirk, whose reputation blossomed in the generation after his 1959 retirement from Hollywood filmmaking, was born Hans Detlef Sierck on April 26, 1897, in Hamburg, Germany, to a journalist.

    • January 1, 1
    • Hamburg, Germany
    • January 1, 1
    • Lugano, Ticino, Switzerland
    • Zu neuen Ufern (1937) Sirk’s most interesting film for UFA (the leading German studio of its day used by the Nazis for its propaganda films) is a tale of a woman brought down by the inadequacy of men around her.
    • La Habanera (1937) Zarah Leander suffers again in her second film with Sirk, but here her character is much stronger – she plays a Swedish woman who, on holiday in Puerto Rico, runs off the ship to stay in the exotic locale to become the wife of a wealthy landowner.
    • Summer Storm (1944) Before this adaptation of Chekhov’s 1884 novel The Shooting Party, Linda Darnell was valued for her beauty rather than her acting ability, but her role here as Olga, a peasant girl who ruins the lives of three men in her quest for wealth and social standing, relaunched her career.
    • Shockproof (1949) While a film directed by Sirk and scripted by Sam Fuller (just before he kickstarted his own directing career with the same year’s I Shot Jesse James) should have critics cheering, Shockproof, though a superior noir with excellent performances, isn’t the masterpiece it should be.
  3. Douglas Sirk, German-born American film director whose extremely popular melodramas offered cynical visions of American values. His best-known films included Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), and Imitation of Life (1959).

    • Michael Barson
  4. Mar 16, 2024 · A list of the German-born director's finest projects, from melodramas to noir, with analysis and recommendations. Learn about Sirk's technical mastery, themes, and influence on film history.

    • Author
  5. Apr 5, 2017 · Learn how the European filmmaker subverted the Hollywood system with his Technicolor dramas in the 1950s. Explore the themes, styles, and subtexts of his films, such as Magnificent Obsession, All That Heaven Allows, and Imitation of Life.

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  7. Dec 21, 2015 · Sirk created (to borrow a phrase) a cinema of outsiders, idealists disguised as mercenaries or clowns, disdained as immoralists or pursued as outlaws, who are nonetheless also the source of ...

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