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- “Guitar Man” If you’re a fan of Jerry Reed’s music, you’ve gotta check out “Guitar Man” – it’s one of his absolute best! This classic tune, released in 1967, features Reed’s signature fingerstyle picking, combined with a catchy melody and clever lyrics.
- “Folsom Prison Blues” “Folsom Prison Blues” by Jerry Reed is a song that has become a classic in country music. The lyrics tell the story of a man who longs to escape incarceration and the pain of being away from loved ones.
- “The Devil Went Down To Georgia” “The Devil Went Down to Georgia” is a fiddle-driven classic that tells the story of a devil’s challenge of a fiddler for his soul.
- “Down On The Corner” Creeping down the backstreets, you can hear the infectious rhythm of “Down On The Corner” by Jerry Reed. His signature twelve-string guitar playing is instantly recognizable, and the song’s upbeat tempo and fun lyrics make it a timeless classic.
- "Mule Skinner Blues"
- "Tupelo Mississippi Flash"
- "Lord Mr. Ford"
- "The Bird"
- "Sugar Foot Rag"
- "When You're Hot, You're Hot"
- "Alabama Wild Man"
- "Guitar Man"
- "East Bound and Down"
- "Amos Moses"
Reed looks to the past on his Georgia Sunshinealbum with this Jimmie Rodgers cover. It let Reed's roots show so they could get further nourishment from his guitar picking skills. For a broader look at his cover song repertoire, seek out his version of Johnny Cash's "Folsom Prison Blues."
Even when a song called for a humorous vocal performance, Reed really made the characters in his songs come to life. The "Tupelo Mississippi Flash" was part parody, part tribute to the coolest daddy of the all,Elvis Presley. Other story-songs beyond those listed here include "Ko-Ko Joe."
Reed speaks for everyone who's ever sighed "Good Lord" over a lemon with this jokey look at consumer culture. Things would get worse for car owners after the song's release. The single arrived a few months before a 1973 oil embargo caused a gas shortage across the United States. Reed went on to address that issue head-on with "Crude Oil Blues."
OnlyMerle Haggardhimself nailed country legend impressions better than Reed did in this story of a talking and honky-tonking parrot. Pretty much everyone does a Willie Nelson impression, but no one can top Reed's spot-on mimicking of the Red-Headed Stranger.
Reed celebrated his role as Chet Atkins' guitar understudy with this nod to old-time dance numbers. It's a souped-up take on the good times Atkins had playing on WNOX radio in Knoxville, Tenn. early in his career. Read More: Dolly Parton Explains Why She Didn't Let Elvis Record 'I Will Always Love You'
Pop song sloganeering about a high-rolling divorcee fit high-energy country music like a glove under the watchful eye of Reed. The end result remains one of Reed's most popular songs among the crossover audience he forged in the 1970s.
One of Reed's most energetic contributions to both country and Southern-tinged rock pokes fun at the perceived generation gap between both audiences. He tells of an ornery old man in a light-hearted way that surely ticked both kids and parents.
This seminal 1960's recording by Reed impressed Elvis Presley himself. The King soon recorded his own version with Reed on guitar. A retooled version of Presley's recording later became his final posthumous No. 1 hit on the country charts. Presley also recorded Reed's original "U.S. Male" with the songwriter chipping in on guitar.
The cultural impact of Reed's music reached its zenith with this catchy theme song for 1977's Smokey and the Bandit. It exposed country music to a massive global audience, boosting the widespread appeal of an entire genre. Plus Reed's single was well-timed, considering the popularity of CB radios and Texas-boundconvoys among country listeners.
"Amos Moses" is every good thing about Jerry Reed's music crammed into a pop-accessible country song. His chicken scratch guitar style, sense of humor and storytelling skills carry this send-up of regional folk legends. Together, these elements tell a rich enough story about its mean-as-the-dickens title character that it's a wonder we never got a ...
Feb 15, 2017 · The Best of Jerry Reed Full Album. York Classic Music. 4.51K subscribers.
- 29 min
- 24.4K
- York Classic Music
- Male
- January 25, 1986
- Writer
- “East Bound and Down” The most famous song from Jerry Reed’s collection, “East Bound and Down,” was recorded by the country icon for Smokey and the Bandit’s movie soundtrack.
- “Amos Moses” Reed’s highest-charting single to date, “Amos Moses,” was released in October 1970. The song has been used as a line dance taught at YMCAs and bagged certified gold for sales of 1 million units by the RIAA.
- “She Got The Goldmine (I Got the Shaft)” “She Got The Goldmine (I Got the Shaft)” is a song recorded by Jerry Reed and written by Tim DuBois. Released in June 1982, it’s a satire about divorce where a blue-collar worker asked his girlfriend to marry him because he can’t stand his own cooking.
- “Alabama Wild Man” Jerry Lee Lewis joins Reed on this fantastic track as the former’s fiery vocals hit the right notes. With precise guitar picking, Reed’s other friend and mentor, Atkins, also participated in creating a rocking yet fun deep cut that’ll put your garage rocker friends to shame.
Jerry Reed - Greatest Hits. David Henderson. 4 videos 636 views Last updated on Nov 20, 2020. Play all.
The Best of Jerry Reed. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. It's all here.
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After releasing the 1970 crossover hit "Amos Moses", a hybrid of rock, country, funk, and Cajun styles which reached No. 8 on the U.S. pop chart, Reed teamed with Atkins for the duet LP Me & Jerry, which earned the pair the Grammy Award for Best Country Instrumental Performance.
