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  1. Maria Luísa Paiva Figueiredo da Cruz, mais conhecida por Luísa Cruz [1] (6 de março de 1962), é uma actriz portuguesa.

  2. www.imdb.com › name › nm0190388Luísa Cruz - IMDb

    Luísa Cruz is a Portuguese actress and art director, born in 1962. She has appeared in films such as Arabian Nights and Espelho d'Água, and TV series such as 327 e Arabian Nights.

    • January 1, 1
    • 2 min
    • Portugal
  3. Shot at Bkejwanong (Walpole Island First Nation), filmmakers Derek Sands and Luísa Cruz worked with phytograms, an analogue filmmaking technique that makes use of plant matter to develop the film; in the process, the plants imprint themselves in the film strip, yielding abstract and whimsical effects.

  4. In The Clay on Luísa Cruz. Director - Monica Thi @monica.thi Producer - Luisa Cruz @lupsc Director of Photography - Carine Zahner @peterpan.syndrom Editor - Maria Bykina @mariabykina Production Designer - Chelsea Attong @chelseaattong Art Director - Karen Selina N. @kkselina Set Decorator - Laura Prieto @laurspri Stylist - Angie Jayasinghe @bby_aj HMUA - Kathy Nguyen @recognizekat 1st AD ...

  5. Luísa Cruz is an MA student in Communication and Culture at Toronto Metropolitan University. She holds a BFA in Film Production from York University. As a filmmaker and producer, she has gained interest in Latin American representation, migration and filmmaking as a tool for exploring personal and collective memories.

  6. A Senhora das Águas: With Luísa Cruz, Oscar Magrini, Paulo Matos, Amélia Videira. The story unfolds in two different periods. The initial action follows three young individuals - Lucas, Mercês, and Simão - in 1967, leading us to the story's origin amid beautiful settings.

  7. A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares.