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  1. en.wikipedia.org › wiki › John_OttmanJohn Ottman - Wikipedia

    John Ottman (born July 6, 1964) is an American film composer, director, and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men ...

  2. www.imdb.com › name › nm0653211John Ottman - IMDb

    John Ottman is a versatile and award-winning filmmaker who has composed and edited many films, including The Usual Suspects, X-Men, and Bohemian Rhapsody. He also has experience as a producer, director, and actor, and has worked with director Bryan Singer on several projects.

    • January 1, 1
    • Music Department, Composer, Producer
    • San Diego, California, USA
    • John Ottman
  3. Dec 11, 2021 · John Ottman, a composer and editor of many films, talks about his first directorial experience on Star Trek: Discovery Season 4 Episode 4. He shares the challenges and joys of shooting a survival adventure and a political summit on a Star Trek show.

  4. Apr 15, 2024 · Editor, composer, director and producer John Ottman is teaming with film and music industry executive David Franco to develop a dramatic biopic based on the life of world-renowned Italian...

  5. Jun 27, 2007 · John Ottman talks about his experience composing music for X-Men, Superman, and Fantastic Four movies. He reveals his influences, challenges, and techniques for creating superheroic sounds with orchestra and synthesizers.

  6. John Ottman (born July 6, 1964) is an American film composer and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men film series.

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  8. Feb 18, 2019 · John Ottman talks about his career, his collaboration with Bryan Singer, and his editing challenges on the Queen biopic. He reveals how he used Queen's music and opera to create a timeless and emotional film.

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