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  1. en.wikipedia.org › wiki › Chris_InnisChris Innis - Wikipedia

    Christina Jean "Chris" Innis is an American film editor and filmmaker. She was awarded the 2010 Academy Award, BAFTA, and ACE awards for "Best Film Editing" on the film The Hurt Locker shared with co-editor, Bob Murawski. She is an elected member of the American Cinema Editors (ACE) and has served as an associate director on the board.

  2. www.imdb.com › name › nm0409197Chris Innis - IMDb

    Academy-Award winning film editor Chris Innis, ACE, graduated from the University of California, Berkeley with a BA in film studies, and received an MFA in live action filmmaking from California Institute of the Arts (CalArts), the creative arts school founded by Walt Disney.

    • San Diego, California, USA
  3. Chris Innis, ACE, is the Academy-Award® winning film editor of the critically-acclaimed thriller, The Hurt Locker. She graduated from the University of California Berkeley with a B.A. in film studies, and earned an M.F.A. in live-action filmmaking from California Institute of the Arts (CalArts), the creative arts school founded by Walt Disney.

  4. Mar 11, 2014 · The Story of the Swimmer: Directed by Chris Innis. With Michael Hertzberg, Ted Zachary, Bob Horn, Marge Champion. A documentary about the making of the cult film The Swimmer (1968).

    • (75)
    • Documentary
    • Chris Innis
    • 2014-03-11
  5. Academy-Award winning film editor Chris Innis, ACE, graduated from the University of California, Berkeley with a BA in film studies, and received an MFA in live action filmmaking from California Institute of the Arts (CalArts), the creative arts school founded by Walt Disney.

  6. Mar 9, 2010 · In an Oscar ceremony filled with expected wins and sedated speeches, it was refreshing to see editors Bob Murawski and Chris Innis take the stage for the Hurt Locker. The cute married couple ...

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  8. Mar 2, 2010 · It was agreed that editor Chris Innis, Murawskis partner, would edit on location and advise the production on coverage. Murawski would join the film when it returned to Los Angeles. “When I got there they had already been shooting three days,” said Innis.