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1. en.wikipedia.org › wiki › OssessioneOssessione - Wikipedia

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   Ossessione ([ossesˈsjoːne], "Obsession") is a 1943 Italian crime drama film directed and co-written by Luchino Visconti, in his directorial debut. It is an unauthorized and uncredited adaptation of the 1934 novel The Postman Always Rings Twice by American author James M. Cain , and stars Clara Calamai , Massimo Girotti , and Juan de Landa in ...

2. www.imdb.com › title › tt0035160Obsession (1943) - IMDb

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   Obsession: Directed by Luchino Visconti. With Clara Calamai, Massimo Girotti, Dhia Cristiani, Elio Marcuzzo. Gino, a drifter, begins an affair with inn-owner Giovanna, and they plan to get rid of her older husband.

   • 7.6/10 (8.3K)
   • Genre: Crime, Drama, Romance

   • Director: Luchino Visconti
   • Release Date: 1949-05-24

3. www.youtube.com › watchOssessione (L. Visconti, 1943) - A Film That Paved The Way ...

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   Documentary about Luchino Visconti’s "Ossessione", a 1943 Italian film based on the 1934 novel The Postman Always Rings Twice by James M. Cain. Starring Clara Calamai, Massimo...

   • Video Duration: 22 min
   • Views: 1970

   • Author: Journey To The Center Of The Cinema

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5. academic.oup.com › screen › articleQueer neorealism: Luchino Visconti’s Ossessione and the ...

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   Mar 11, 2019 · Ossessione’s subaltern, revolutionary, transnational, queer new realism was to give way to neorealism’s cult of family and virtue. Ossessione was not Italy, Vittorio Mussolini had apocryphally claimed.

   • Author: Lorenzo Fabbri

   • Publish Year: 2019

6. www.sensesofcinema.com › 2016 › cteq“I’m No Lady” and the Tramp: Luchino Visconti’s Ossessione

   www.sensesofcinema.com › 2016 › cteq

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   Feb 4, 2016 · Yet watching the film today, it is as much Ossessione’s radical sexuality that provides its devastating punch as much as its history.

   • Author: Alexandra Heller-Nicholas

7. thecinemaarchives.com › 2020/08/24 › ossessione-1943Ossessione – 1943 Visconti - The Cinema Archives

   thecinemaarchives.com › 2020/08/24 › ossessione-1943

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   Aug 24, 2020 · Ossessione – 1943 Visconti. An important film in the history of film noir, Italian neorealism (even if it doesn’t fit most of the characteristics of the movement), and Italian cinema in general.

8. People also ask

   Is Ossessione a film?

   • Ossessione is not a film —not to look at and, as we’ll see now, not in the way it treated its characters. The typical Film Noir protagonist was typically male, at odds with the world, at a low ebb but with a curiously righteous moral code that exerts itself sometimes against his will.

   Visconti’s ‘Ossessione’: Neo-Realism’s Triumph Over Film Noir

   filmobsessive.com/film/film-analysis/film-genres/art-house/viscontis-ossessione-neo-realisms-triumph-over-film-noir/

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   Was Ossessione Italy?

   • Ossessione was not Italy, Vittorio Mussolini had apocryphally claimed. Nor was it going to be. Returning to the film and to the context from which it emerged, returning one more time to Gino’s contested body, thus remain important ways to bring to light the past existence of an unrealized future for both Italy and its cinema.

   Queer neorealism: Luchino Visconti’s - Oxford Academic

   academic.oup.com/screen/article/60/1/1/5375815

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   Was Ossessione a neorealist film?

   • Even stranger that the resulting film was not a film noir at all, instead being arguably the first example of the Italian Neorealist genre, and the directorial debut of the art cinema Grand Master, Luchino Visconti. This was Ossessione.

   Visconti’s ‘Ossessione’: Neo-Realism’s Triumph Over Film Noir

   filmobsessive.com/film/film-analysis/film-genres/art-house/viscontis-ossessione-neo-realisms-triumph-over-film-noir/

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   Is Ossessione a film noir?

   • An over-stylised aesthetic would distract from the commitment to show ‘real people’ otherwise, meaning a film noir approach was out of the question. Ossessione is not a film —not to look at and, as we’ll see now, not in the way it treated its characters.

   Visconti’s ‘Ossessione’: Neo-Realism’s Triumph Over Film Noir

   filmobsessive.com/film/film-analysis/film-genres/art-house/viscontis-ossessione-neo-realisms-triumph-over-film-noir/

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9. filmobsessive.com › film › film-analysisVisconti’s ‘Ossessione’: Neo-Realism’s Triumph Over Film Noir

   filmobsessive.com › film › film-analysis

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   Dec 31, 2019 · Visconti's 1943 movie Ossessione took a new approach to crime films. Chris Flackett looks back at the triumph of Neo-Realism over Film Noir.