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  1. en.wikipedia.org › wiki › CharulataCharulata - Wikipedia

    Charulata (Bengali: চারুলতা, romanized: Cārulatā, lit. 'The Lonely Wife') is a 1964 Indian drama film written and directed by Satyajit Ray . Based upon the novel Nastanirh by Rabindranath Tagore , it stars Soumitra Chatterjee , Madhabi Mukherjee and Sailen Mukherjee.

  2. Charulata is a 1964 Indian film by Satyajit Ray, based on Rabindranath Tagore's The Broken Nest. It tells the story of a lonely wife who falls in love with her husband's poet cousin in late nineteenth-century India.

    • Charulata
  3. Charulata: Directed by Satyajit Ray. With Soumitra Chatterjee, Madhavi Mukherjee, Shailen Mukherjee, Shyamal Ghoshal. The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

    • (7.3K)
    • Drama, Romance
    • Satyajit Ray
    • 1964-04-17
  4. Sep 4, 2016 · Satyajit Ray's self-declared masterpiece 'Charulata' (1964) is based on a Tagore novel and depicts the conflict between love and respect in a late nineteenth-century Bengali household. The film is a cinematic masterpiece that reflects the cultural, social and literary changes in Bengal and features outstanding sets, acting and cinematography.

  5. Aug 20, 2013 · Satyajit Ray's 1964 film Charulata is based on Rabindranath Tagore's story Nastanirh, about a bored and restless wife in colonial Bengal. The film explores themes of loneliness, repression, and rebellion through the elegant visual style and subtle performances of Ray's masterpiece.

  6. Aug 20, 2014 · Charulata (1964) is a film by the legendary Bengali director Satyajit Ray, based on a novella by Rabindranath Tagore. It tells the story of a neglected wife and her poet cousin in late-19th-century Bengal, and is a masterpiece of subtlety, sensitivity and artistry.

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  8. May 13, 2019 · A sense of loss descends on the once buzzing household and newspaper. As in Ray’s coming-of-age Apu trilogy, Charulata examines the Indian caste system and revisits the themes of family relationships and artistic aspiration. Amal, Bhupati and Charu are all bonded by location and family, but they all place value on entirely different things.

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