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  1. The essay is a fictional, satirical account of an address made to a gentleman's club concerning the aesthetic appreciation of murder. It focuses particularly on a series of murders allegedly committed in 1811 by John Williams in the neighborhood of Ratcliffe Highway, London.

    • Thomas De Quincey
    • 1827
  2. Nov 9, 2020 · They profess to be curious in homicide; amateurs and dilettanti in the various modes of bloodshed; and, in short, Murder-Fanciers. Every fresh atrocity of that class, which the police annals of Europe bring up, they meet and criticise as they would a picture, statue, or other work of art.

  3. Mar 8, 2022 · On murder considered as one of the fine arts. by. De Quincey, Thomas, 1785-1859. Publication date. 2009. Topics. Murder -- England -- History, Murder in literature. Publisher. Richmond, Surrey [England] : Oneworld Classics.

  4. People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed—a knife—a purse—and a dark lane. Design, gentlemen, grouping, light and shade, poetry, sentiment, are now deemed indispensable to attempts of this nature. Mr.

  5. On Murder Considered as One of the Fine Arts. Thomas de Quincey. 3.58. 700 ratings55 reviews. 'People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed - a knife - a purse - and a dark lane...'

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    • Kindle Edition
  6. Oct 30, 2017 · A man is not bound to put his eyes, ears, and understanding into his breeches pocket when he meets with a murder. If he is not in a downright comatose state, I suppose he must see that one murder is better or worse than another in point of good taste.

  7. In this provocative and blackly funny essay, Thomas de Quincey considers murder in a purely aesthetic light and explains how practically every philosopher over the past two hundred years has been murdered - 'insomuch, that if a man calls himself a philosopher, and never had his life attempted, rest assured there is nothing in him'.

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