Walter Neff
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Double Indemnity is a 1944 American crime thriller film noir directed by Billy Wilder, co-written with Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. The film was based on James M. Cain 's novella of the same name, which ran as an eight-part serial in Liberty magazine beginning in February 1936.
With Fred MacMurray, Barbara Stanwyck, Edward G. Robinson, Porter Hall. A Los Angeles insurance representative lets an alluring housewife seduce him into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, an insurance investigator.
Double Indemnity (1944) cast and crew credits, including actors, actresses, directors, writers and more.
In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double ...
Double Indemnity is a 1943 crime novel by American journalist-turned-novelist James M. Cain. It was first published in Liberty magazine in 1936 as an eight part serial, and later republished as one of "three long short tales" in the collection Three of a Kind.
Dec 20, 1998 · The puzzle of Billy Wilder's "Double Indemnity,” the enigma that keeps it new, is what these two people really think of one another. They strut through the routine of a noir murder plot, with the tough talk and the cold sex play.
When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way.
In this classic film noir, insurance salesman Walter Neff (Fred MacMurray) gets roped into a murderous scheme when he falls for the sensual Phyllis Dietrichson (Barbara Stanwyck), who is intent on...
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- Crime, Drama
Double Indemnity, American film noir, released in 1944, that was considered the quintessential movie of its genre. It followed the time-honoured noir plotline of a man undone by an evil woman. (Read Martin Scorsese’s Britannica essay on film preservation.) The film was adapted by director Billy.
On a dark Los Angeles night in July 1938, insurance agent Walter Neff is bleeding from a gunshot wound and slips into his office at the Pacific All Risk Insurance Co. Walter records his murder confession on the dictaphone, addressing his boss and friend, Barton Keyes, a meticulous and intuitive claims agent.
